Like a Flowing River Season 3 Reviews

A loyal fan of "The Great River" series, I've watched both seasons multiple times. It's highly authentic and realistically portrayed, with superb performances by the actors. It's truly a masterpiece of the period drama genre, capturing the essence of China's reform and opening up era.
After waiting for years, I finally got to see Season 3, and it has maintained the same high quality. I hope it will have a perfect conclusion.

From my undergraduate years to graduate school and now to my professional life, the three seasons of "River of Time" have witnessed the growth and maturity of Song Yun Hui. They have also accompanied me through six to seven important years of my life.
When the opening credits of the third season appeared, I couldn't help but feel a hint of tears. It truly captures the essence of the passage of time.

When Song Yun Hui mentioned "thirty years east & thirty years west" and proclaimed "I will be the center of the world" while discussing cooperation, it was the "golden key" to opening up new possibilities.
I really admire Song Yun Hui's confidence and presence in international negotiations, just like the line from "River Flows East" that said, "Put away your American arrogance." It deeply resonates with me.

The reason it's enjoyable to watch is because the era and the characters complement each other. The changes in policies have reached every level, from the merger of Donghai Factory with small enterprises to the transformation of Xiaolei Village into an industrial cluster.
These are the impacts of the progress of the times, reducing internal conflicts and forming an industrialized pattern that affects people.

Three years later, it returns with consistently high quality. Although Song Yun Hui still faces a challenging start, the overall tone of the entire series finale is uplifting and heartwarming.
As time passes, Song Yun Hui doesn't age, Wang Kai doesn't age. It seems like I'm the only spectator who has grown older.

I haven't watched enough episodes to give a review, but it's ridiculous how in the comment section, there's a bunch of people criticizing this drama while praising "Blooming Flowers." They're not even in the same league...
What kind of pretentiousness is this? Trying to show off your sense of superiority by mentioning Wong Kar-wai, but it's clear that you're just trying to fit in with the crowd.

Although airing in the same time slot, "River of My Youth" has a higher level of intention, a broader scope, and a more genuine emotional portrayal compared to "Blooming Flowers." Wong Kar-wai only captured a specific era in Shanghai, and even then, it was limited to a small portion of the population.
On the other hand, Kong Sheng depicted the entire China in "River of My Youth.

I dropped this drama after 3 episodes. When compared to other dramas airing at the same time, it feels like chewing wax. The storyline may be grand, but the details, actors, and script are all lacking.
Acting for the sake of acting without personal willpower makes the filming unappealing and unattractive. It fails to capture my interest.

I'm also a fan of "The Great River," but can we please refrain from bashing "Blooming Flowers" in the comment section? Different styles, different perspectives, and different stories. Why do you have to bring them up and make comparisons?

Let's just focus on discussing "The Great River" without bringing unnecessary comparisons into the conversation, shall we?

I really like it. I've watched it more than once, and I've been staying up for three nights to watch it. I just can't stand the saintly male lead. He's the purest jasmine flower, isn't he? A comment summed it up well: It has the scent of a county committee compound.
The male lead also has the same scent as the male lead in the county committee compound, Yang Wei.

Song Yun, HuiLei Dong Bao, Yang Xun, and Liang Si Shen's lively conversation at the dining table gives off a feeling reminiscent of "Friends." Each of the four characters represents a different life experience, and their reunion at this moment, discussing their past experiences, is quite therapeutic to watch.

As a longtime fan, I have been following this drama series from the first installment until the very end. As the final chapter, it still possesses a unique grand vision.
The way it explores the relationship between the era and individuals, the influence of the era's trends on individual lives, and the power of these trendsetters who strive to change the direction of the tide—all these storyline developments deeply touch my heart.

The essence of the era runs through all three parts of the drama, depicting subtle yet accurate differences in the characters at different stages. Lei Dong Bao still carries traces of his past impetuosity, but he has clearly become more calm and wise.
Song Yun Hui has also become more mature. These characters become more flavorful as the story progresses.

Watching this drama is not just about the story, but also a sense of nostalgia. For those who have experienced that era, the process of watching the show feels more like reminiscing about their own lives. With the rapid development of the market economy and the improvement of people's living standards, everything flourishing and thriving looks beautiful.

What's impressive about this series is that each part can stand alone as an independent drama. As the era enters a new stage, the characters and stories start anew. The main theme is the career struggle during the economic reforms of 1993.
There is abundant information and a broad perspective.

It's evident that this sequel maintains the style of the previous installment, with the same team behind it. The visuals still exude beauty and a sense of the era, and the characters' destinies are closely intertwined with the backdrop of the reform and opening-up period.
The storyline is full of twists and turns, encompassing the grand changes of the era as well as the rise and fall of ordinary individuals. The quality remains top-notch.

The trial is over, and it's the familiar Song Yunhui without a doubt. From Xiao Hui to Director Song, he has honed his character and gained more knowledge. While becoming mature and reliable, his inner tenderness and kindness remain unchanged.
He manages to maintain his integrity and principles in the complex web of relationships and interests. He truly deserves to be the man I have been following since the first season.

Throughout the series, I've been following Song Yun Hui's journey as he navigates through the complexities of human relationships. He handled the organophosphate poisoning incident with great composure, and his past experiences have truly shaped his growth.
The character development is what I've been most interested in this season, and it didn't disappoint me.

The original team really knows how to evoke nostalgia. After waiting for so long, when I started watching the drama, it still had that familiar flavor. Song Yun Hui comes in with battle scars, but he remains the loyal and righteous Xiao Hui at heart.
He tackles problems in an organized manner, and his intelligence is my source of comfort.

Each character has a distinctive and well-developed personality. Song Yun Hui is composed and responsible, Lei Dong Bao is carefree and adventurous, Yang Xun is versatile and determined. They all have their own unique features and are very inspirational.
It's delightful, delightful to watch.

The story of Song Yun Hui shifts from the vast East Sea Factory to an ordinary small pesticide factory, providing a more detailed perspective on the overlooked development of the light chemical industry.
It undoubtedly serves as a comprehensive supplement to the content of the era.

Profoundly moved! It's an era full of changes and opportunities, where the strong prevail and the weak are eliminated. Everyone is changing with the times, and the years unfold like a song.
Fortunately, everything is progressing in a positive direction.

Liang Si Shen not only hopes that Song Yun Hui will be his future partner, but also wishes for her to be an ally in breaking through themselves, pursuing ideals, and achieving ambitions.
This kind of relationship makes them deeply understand each other and helps them both in their personal growth.

While it's true that each generation has its own mission, during that time when hearts were filled with enthusiasm and ideas were diverse, who wasn't crossing the river by feeling the stones? Moving forward and retreating together with their mission, facing hardships together with the era, this should be a portrayal of Song Yun Hui's generation.

I've watched the final installment of the "Da Jiang Da He" series, spanning ten episodes. I truly felt the rapid development of society and how destiny propels everyone forward. I also witnessed the different challenges encountered during the process of corporate development, and the actors portrayed them excellently.
The production of the drama remains top-notch. Finally, we're about to reach the conclusion.

Gong Xin Ming's assistance to Lei Dong Bao, after setting aside prejudice, allows me to see the depth of character portrayal in this drama. None of the characters are overly dramatic or stereotypical.
Each character has their own motivations in life, but they still make choices when it matters the most. As a viewer, it's great to see so many genuine and relatable characters.

Sure, I'll assist you with translating the comments about Chinese TV dramas (referred to as c-dramas). Here are the rules:

1. The translated text should not contain any Chinese characters. For long sentences, please break them into multiple lines.

3. When the content mentions "内地" (nèidì), it specifically refers to mainland China. "内娱" (nèi yú) refers to the entertainment industry within China.

Please provide the comments you would like me to translate, and I'll follow the rules accordingly.

In this series, the characters' destinies are closely tied to the development of the era. Riding the winds of the times, they never know when these winds will cease. Deviating from the right path or holding onto twisted beliefs can be fatal mistakes.
Song Yun Hui, Lei Dong Bao, and Yang Xun, all of them have experienced hardships as a result.

I've reached Episode 8, and it's so different from the first two seasons! What happened to the pacing? Where did the pace go? The cinematography suddenly became so poor, and the lighting is also terribly bad...
The writing took a nosedive. We're already at Episode 8, and there's no fresh plot whatsoever, not even one... What am I even expecting? I can only say it's going downhill from here...
Based on the current situation, I'll give it a 4 out of 10, let's see how it progresses.

I can't bear to continue watching. The first two seasons didn't have these issues, but this season is both hypocritical and artificial. The characters' images have completely collapsed, and none of them have any distinctive traits.
They are all one-dimensional. The plot is a mess, with no coherence and poor logic. When I think back to how I felt watching the first two seasons, I feel like I'm going to have a brain hemorrhage if I continue.
Goodbye.

Gentle and powerful Xiaohui has found his carefree self again. Lei Dong Bao, who has returned to life, has adjusted himself from past lessons. Yang Xun is still the ambitious businessman who talks big but has strong ambitions.
Liang Si Shen is elegant, confident, and speaks with determination. These characters are familiar yet not entirely the same. It feels both comforting and refreshing to watch.

Yang Xun is a representative image of individual entrepreneurship, struggling hard on the road to success. He tries every means to utilize resources for his own benefit.
He is a character that closely resembles the growth path of an ordinary person. He stumbles and learns from his mistakes, carving out a path to prosperity through his own exploration.
It is both inspiring and realistic.

Set against the backdrop of changing times, each character in the drama has their unique trajectory of growth and life circumstances. While watching, one can deeply feel the transformation of the era, the changing lifestyles and ideological perspectives of people.
Overall, it is a relatively positive and uplifting portrayal.

The drama clearly elevates its intention, making it even more ideological than the novel. While preserving the diversity of human nature, it completely leans towards goodness and truth. This rare alteration is not off-putting at all. Compared to some trivial novels, the adaptation of the drama actually feels grand and deserves applause.

Lei Dong Bao's transition from initially viewing Secretary Gong with disdain to placing trust in him is based on Secretary Gong's benevolence, prestige, and unwavering support for the development of Xiao Lei's family.
Secretary Gong's worldly wisdom and experience help compensate for Lei Dong Bao's character shortcomings. The presence of this character holds significant meaning for Lei Dong Bao and even the entire development of Xiao Lei's family.

The realistic style of this drama is excellent. The script is down-to-earth. No matter which era it is, if you want to stand firm amidst the waves, you have to continuously undergo the baptism of the times. It's painful, but the ones who persist until the end are the lucky ones chosen by the era.

The life journey of Song Yun Hui, from a rural village to a big city, becoming a technical backbone, and then transitioning from a high position to becoming a factory manager, is a result of the dual effects of knowledge changing one's destiny and the instability of the times.

I admire Song Yun Hui even more for his handling of the phosphorus poisoning incident. It may seem like a sudden calamity, but he patiently resolves the issue. His emotional stability also brings me comfort! It prevents the dramatic conflicts from plunging the drama into trivial matters and instead allows me to fully immerse myself in the storyline.

The final chapter of the series, I feel a little reluctant to watch it. Having the original cast is the best way to evoke memories. The plot is cleverly crafted, with a new storyline and a close connection to the second installment.
The production quality and story development maintain a consistent viewing experience. The characters, such as Song Yun Hui, have further depth, combining familiarity with new emotions.
Overall, this ending seems to be quite satisfying.

Watched this drama with my parents, and they could really relate to it. The era depicted in the drama, with the restructuring of state-owned factories, the resettlement of laid-off workers, and the entry of individual businesses into the market, all of it was their firsthand experience.
The storylines in the drama felt quite authentic, instantly bringing back memories of the bygone years for the older generation.

I understand Song Yun Hui's persistence. He is not only saving the factory, but also every worker in it. Moreover, he is saving himself. The factory needs him, the workers need him, and he also needs the factory to prove his abilities and worth.
Song Yun Hui and Pengyang Factory are destined to mutually redeem each other.

The different work atmospheres between the public sector and private enterprises, as well as the problem-solving methods, still hold relevance today. The drama explores various angles, showcasing multiple directions of reform within the same era, making it a sincere tribute to the 1990s.

Just as good as the first two parts, the dialogues, backgrounds, and expressions of various scenes are all deeply moving. I just don't remember the plot of the first two parts very well, but it doesn't stop me from watching the third part.
Highly recommended!

Just finished watching "Blooming Flowers, Big Rivers," and now having "The Great River" to watch is so exciting! The beginning is explosive, continuing the story of the second generation.
I believe this season's story will follow Song Chang's journey from the pesticide factory, facing various challenges, and ultimately becoming the great demon king returning to the East Sea!