Inconsistent Character Development and Disappointing Plot in 'Got a Crush on You'
The character development of the protagonist in the drama "Got a Crush on You," Song Xing Chen, is riddled with contradictions and is simply absurd. The numerous inconsistencies in her actions and behavior throughout the story make it difficult for viewers to understand and relate to her. Song Xing Chen's illogical character design has led to a lack of coherence and identification in the plot, ultimately leaving many viewers disappointed and displeased.
The contrived initial encounter between the male and female leads, Song Xing Chen and Li Hao Ran, in this TV drama is overly cliché and cringe-worthy. Everything unfolds under the deliberate "performance" of the director, making it challenging for viewers to accept such an artificial meeting.
Apart from the unreasonable aspects of their initial encounter, Song Xing Chen's subsequent actions further intensify the audience's aversion towards her. She treats Li Hao Ran extremely unfairly, and her irrational and troublesome behavior leaves people astonished. Her unjustified accusations and tantrums are beyond comprehension, and it is difficult to imagine a normal person acting in such a manner.
Let's talk about the blind date. Li Hao Ran was arranged by his family to have a blind date with Song Xing Chen, unaware that she had already quit her job as a doctor. However, Song Xing Chen voluntarily handed her business card to Li Hao Ran, indicating that her professional situation might be revealed. Yet, Li Hao Ran unintentionally disclosed this information, and Song Xing Chen became outrageously angry, accusing him of violating her privacy and causing trouble for her parents. This groundless blame is shocking, and it is impossible to fathom a rational person behaving in such a way.
Both the male and female leads in "Got a Crush on You" have issues with their acting skills. Gu Li Na Zha, who portrays the female lead Song Xing Chen, often relies on staring wide-eyed without much variation in her performance style. In this new drama, she continues with the same approach, delivering exaggerated and one-dimensional acting, showing no improvement.
The writing and production of "Got a Crush on You" prioritize sensationalism, resulting in a stiff plot and superficial handling of character relationships. Many contradictions in the drama are forcedly guided by the ambiguous chemistry between the male and female leads, lacking authenticity.
Clearly, the writers and producers deliberately catered to the current trends in the entertainment industry. For example, the absurdity of the supporting characters is entirely in service of the main plot. The asthmatic female team member insisting on running despite endangering her health and the companion who shows no concern for her well-being are clearly designed to create a scenario where the female lead can play the hero. "Got a Crush on You" is laden with numerous problems and is simply nauseating.
Both the plot and character development of the drama are marked by forced arrangements, purely created for commercial purposes rather than appealing to quality. We deserve more high-quality film and television productions. Its high ranking on the popularity charts is the result of heavy marketing rather than genuine merit. Many plot elements in the drama are illogical and lack coherence, yet the producers took the risk of deceiving the audience, and their intentions are evident.
As viewers, we should not fall for such tricks and should not solely pursue curiosity to watch such low-quality productions. Instead, we need meaningful works that delve into depth. Both the plot and characters require more intricate portrayals that genuinely resonate with the audience, rather than dwelling on the terrible superficiality of melodrama.
We look forward to the emergence of more remarkable and noteworthy films and TV dramas, rather than relying solely on transient fame achieved through hype. This is what constitutes a healthy environment and sets the industry on the right track.