I watched the Shanghainese version. The cinematography, which is a consistent feature of Wong Kar-wai's works, doesn't need much discussion. The story is tightly woven, with distinct and interesting characters. By the 5th and 6th episodes, the character Mr. Fan becomes quite intriguing, and the gradually ambiguous relationship between Miss Wang and Boss Bao is also fascinating. Additionally, I'd like to commend the previews for each episode of this drama. Many previews in other shows either give away too much or use misleading editing, but the previews for this drama cleverly provide a sense of the pacing and atmosphere of the upcoming story without completely spoiling the plot.
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Anonymous1 year ago rating:9.6
Even though I lived on Julu Road and Jinxian Road for five years, even though I've read the original work, even though the 90s are vivid in my memory, and even though I dislike Wong Kar-wai (I gave "The Grandmaster" a negative review because I feel he likes to be unnecessarily obscure), to be honest, I'm quite enthusiastic about "Blooming Flowers" (watching the Shanghainese version), and I'm really getting into it.
Mungbean1 year ago rating:9.4
I'll give it four stars for now, but it may change after it finishes airing. I really like this drama. Not to mention its profound cinematic feel or the camera work, but the pacing of the story is just right up my alley. Wong Kar-wai has always given me the impression of prioritizing atmosphere over plot, but this time he knows how to tell a story. I think the Mandarin version on Channel 8 deducts some points. They claim it's Mandarin, but it's actually Shanghainese-accented Mandarin, and the lip-sync is off, which feels quite awkward. The Shanghainese version adds more charm to the characters. If you don't understand, you can watch with subtitles. Whether the drama is good or not, you have to watch it yourself to find out.
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WangXieXie1 year ago rating:5.3
After twenty years, sitting in front of the monitor on the set of 'Blooming Flowers,' Wong Kar-wai will remember how breathtaking the lighting and colors were in the frame when he edited 'In the Mood for Love'..." The style of an auteur director can change, but who can accept such a drastic transformation from a phoenix to a chicken? Could the composition and camera movements that are allowed with sunglasses from ten years ago pass? Could the voiceover and pacing allowed from twenty years ago be present? Even by the standards of current TV dramas (especially those ceiling-breaking works), 'Blooming Flowers' feels quite outdated. 95% of the shots are close-ups, close-ups, and clichéd shot-reverse-shot editing, as if assuming the audience still uses CRT televisions at home. Combined with presumptuous lighting and Art Deco that even Gatsby would find unimpressive, it's simply provoking all the sunglasses fans. The voiceover is even more frustrating. Those so-called poetic moments represented by 'Fallen Angels' and 'Chungking Express' have lost their charm and have completely devolved into the existence of a short video commentary. When the audiovisual experience has degraded to such a state, I'm sorry, but I can't focus on the quality of the screenplay. Wong Kar-wai seems to be just a figurehead, isn't he?
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Liansheng1 year ago rating:6.2
I've only watched a few episodes superficially, but the set and visuals from 1990 look more like 1900. When it comes to the most authentic Shanghai market of the 1990s, it has to be "Stock Madness." Pan Hong, the veteran actress, has a stylish charm. I can still understand Shanghainese, but it doesn't compare to the Shanghai dialect spoken by the two veteran actors from TVB in the past, which sounded so pleasant. I won't be watching the business war part.
RedPigHandYellowVinegar1 year ago rating:6.7
It's all smoke and mirrors, but there isn't actually much political maneuvering going on. Xin Zhi Lei thinks she has a powerful background, but when the chef went on strike, she had no choice but to ask Hu Ge to step in... Is Hu Ge a substitute for Jin Dong? Three stars for the original Shanghai dialect and the performances of Ma Yili and Wu Yue.
Lilia09141 year ago rating:9.6
A top-tier film director tackling his favorite genre, and with nearly unlimited financial resources, creates a near-perfect television drama that surpasses all other TV dramas of this year. Yes, all TV dramas, whether they are from the United States, United Kingdom, Japan, or South Korea.
QinCanFan1 year ago rating:8.2
As a Shanghai native, after watching the first episode in Shanghainese dialect, here's my initial impression: The visuals are stunning! Beautiful! Hu Ge, Xin Zhi Lei, and other actors speak Shanghai dialect well. Although there are still some elements of foreign influence, it's great to see Shanghai-born actors like Papi and Ju Jie, who are familiar faces in the Chinese entertainment industry, coming together in one drama. Now, let's talk about something controversial. Chen Xunqi, the music is a letdown. It completely fails to match the cinematography, lighting, and performances. It feels like canned material that I've heard in many other TV dramas! It completely disrupts my viewing experience.
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Xiongjie1 year ago rating:5.1
As soon as the upward-angle shots appeared, I wanted to ask Director Wang, what are you doing? The constant use of flashbacks and intercutting, going back and forth, making even the smallest details unnecessarily elaborated... By the time I reached the tenth episode, I increasingly felt that he was just a pretentious director, wasting my time. Since we're speaking frankly, I'm not afraid to be a bit harsh. It's shameless to rely on the same old Hong Kong filming techniques and still expect applause.
momo1 year ago rating:5.7
Wong Kar-wai is indeed very vulgar. I've always felt that he is shallow, and now he has completely exposed himself by making TV dramas. What is this thing he's shooting? Teaching people how to make money? Materialism? I've long known that behind that extravagance lies a filthy flattery.
Petrichor1 year ago rating:5.2
Dropped the Shanghai dialect version after half an episode. The transitions, editing, dubbing, and music are all cheap, and even the excessive use of Wong Kar-wai's filters couldn't hide the decline in quality. It wasn't until I read the information provided in the film and the plot summary that I realized it was set in Shanghai in the 1990s. The actors' appearances and way of thinking made me think it was a portrayal of 1930s Shanghai...
ArtisticGlow1 year ago rating:6.3
The art and lighting indeed have a great sense of quality, but the costumes are too extravagant and don't match the era. As for the opening theme song... anyone who has watched "Battle of the Heirs" would understand, it's just so similar.
After saying so much, let's get back to the plot. I have no desire to continue watching. It's just a lot of pretentiousness without even being able to tell a basic, well-crafted story. Of course, being pretentious seems to be the trademark of the director, but I can't stand such pretentiousness.
Kerrv771 year ago rating:8.1
The Shanghainese version is really flavorful. I was attracted to it because of the Shanghainese language. I can speak quite a bit of Shanghainese myself, with influences from Yangjingbang. When I hear the lines, my initial instinct is to respond in Mandarin, even though Shanghainese is my native dialect. It's truly a pity that I'm not as proficient in it. I hope that the preservation and inheritance of Shanghainese can be well protected. Every dialect is a precious treasure.
WBYson1 year ago rating:6.1
I forced myself to keep watching it, but even after four attempts, I couldn't continue. Wong Kar-wai is no different from Guo Jingming now. Remember how stunning that short film was in "Fallen Angels"? Well, this one is just garbage. It's better for Wong brother to retire early; otherwise, his reputation will be tarnished.
GeekJ1 year ago rating:7.8
Wong Kar-wai's visual and auditory language doesn't quite fit well with TV dramas. Although you can clearly sense the narrative, it's still too fragmented and scattered. I've never quite understood Hu Ge's appeal. Ma Yi Li is starting to feel like she's using a template for her acting style, and Tang Yan is truly a disaster. And the costume and set design have left me confused; while it's visually appealing, I can't really tell which era it's supposed to be depicting...
MilkOolongTea1 year ago rating:9.5
Thank you, Wong Kar-wai, for bringing a great work to the TV industry. Teacher Dong Yong is truly remarkable, and Tang Yan's performance this time is impressive, unexpectedly agile. Hu Ge truly embodies the natural charisma of a leading man with sunglasses. I am very excited to see how the plot develops.
DingDing1 year ago rating:7.1
The male-centric vibe is too overwhelming. Does every beautiful female character have to have some ambiguous relationship with the CEO?
Is it really necessary for the screen to be so yellow? It's exaggerated and artificial. Instead of feeling like a modern setting, it feels like the Republican era. When Zhenzhen Garden sent out invitations for the opening, I thought it was a grand opening of a Shanghai cabaret. It's all flashy lights, alcohol, and the allure of worldly indulgence, making it hard to see through the haze.
Overall, it feels like an excessive display of skills that goes overboard. It's like a disjointed compilation of music videos, lacking a sense of balance. It's tiring to watch, and after a few episodes, I don't even remember what happened. I don't feel the need to watch it or think about it for a day.
Some of the BGM choices are wrong, and the timing of their placement is off. The moment a background song starts playing, it ruins the scene. Could this be the bustling scene in old Shanghai that Guo Xiaosi has been yearning for? But the sense of era between the two of you seems to be quite mismatched.
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SilentVoice1 year ago rating:9.9
A great work! Wong Kar-wai's talent remains strong even at this age. Hu Ge is handsome, and it's rare to see someone portray a cool character without being cheesy. It's a difficult role to play. He did a fantastic job at the beginning, portraying a young person in their twenties. Despite his age, he still exudes a youthful vibe, which is impressive. Looking forward to the development of the plot. I speculate that the ending of this drama won't be a happy one. It's likely to be a tragedy.
Tienchi Yanagi1 year ago rating:9.6
Fei Xiang is definitely a hidden gem! He sets a fire in the winter, please invite spokesperson "White Snake" Zhao Yazhi. This time, the sunglasses buried many surprises. Several background songs are classics among classics, brimming with nostalgic memories of that era.
Denny1 year ago rating:9.8
Caught up with the updates. Although the dishes at Night Tokyo and Zhi Zhen Garden are different, I feel like their appeal is similar. It truly verifies the saying that people on Huanghe Road are not here for food. The most valuable news comes from Huanghe Road.
Librarian1 year ago rating:6.6
This is a portrayal of the 1990s conjured up in the mind of a Hong Kong director. The social environment and character appearances were not like this at that time. However, "Blooming Flowers" is also a creation of Mr. Jin, and when I read it, I was somewhat surprised, moved, and saddened. The writing is bold, the emotions are vivid, and there's a mix of joy and sorrow. Nowadays, under the lens of a renowned director, the world of glamour is exaggerated, shrewd, and noisy. With ten years of filming, building up anticipation all the way, and continuous hype, where is the so-called "authenticity"? It's merely a blend of 1990s elements and the nostalgia for old Shanghai dreams. Of course, as long as Mr. Jin remains silent, we're just making blind speculations.
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SuYuan1 year ago rating:5.9
If it were in Shanghainese, wouldn't it be great if every supporting character and narrator spoke in Shanghainese? It's so jarring when you hear someone suddenly switch to standard Mandarin.
Ye Shu's lines have more charisma than Hu Ge's. What's with the strange background music and slow-motion shots? Is this supposed to be a popcorn comedy film set in a retro era?
Ali1 year ago rating:5.6
The pacing is chaotic, the editing is fragmented, and only Xin Zhi Lei stands out as a normal character without being oily, greasy, or pretentious. The film-like quality of Wong Kar-wai's signature sunglasses does not add any value; instead, it hinders character development and storytelling. All you can see are the contrived camera angles and lighting that are supposed to be sophisticated but come across as forced. I'm already getting tired and frustrated halfway through.
JunyiV1 year ago rating:8.7
After watching this drama, I became a fan of Tang Yan. It's said that she filmed a scene 86 times, but her performance in the midst of the bustling storyline was truly impressive. At the Three Oceans book signing event, she portrayed a lively and genuine Shanghai girl with great authenticity.
Lalala1 year ago rating:8.2
The scenes between Chairman Bao and Zhi Zhenyuan have a Wong Kar-wai vibe, while the scenes involving A Bao, Ye Dongjing, and Miss Wang feel like a romantic comedy TV series. Overall, it's pretty good, but there are some inexplicable musical choices that deduct points. It doesn't quite feel like Chen Xunqi's style.
FewWords1 year ago rating:7
Ma Yi Li's acting is excellent, Xin Zhi Lei is very beautiful, and Tang Yan is quite noisy. Hu Ge is quite pretentious. If it weren't for director Wong Kar-wai, there wouldn't be so many big shots giving face to him and making cameo appearances. The innovative aspects of "Fanhua" and the acquisition of a popular IP wouldn't have convinced Tencent to take the risk if they had to stick to a vulgar and clichéd script. Are top-tier resources only used to portray a stereotypical middle-aged Jack Sue character? If this script wasn't meant for Wong Kar-wai, would Jin Yucheng be happy with his novel being adapted like this? Or is it that television drama viewers are only deserving of this kind of content?
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Fading Youth1 year ago rating:9.6
Although the drama didn't focus much on Jing Xiu's cigarette paper shop, his presence was so strong. I initially thought that all the news on Huanghe Road revolved around the discussions at the restaurant owners' tables. But now I realize that Jing Xiu is just as knowledgeable, if not more, than those sitting at the dining tables.
ShadowDrama1 year ago rating:8.9
This drama should be enough to make most of the current dramas feel ashamed. It serves as a reference for those who aspire to create good dramas, reminding them to reflect on the basic requirements of telling a clear story.
This drama seems to have almost no unnecessary scenes, shots, or superfluous dialogue. The set designs and props show a genuine respect for the needs of the story.
I've watched up to ten episodes so far, and it's been quite enjoyable. It feels like the long-lost joy of watching dramas has returned. I'll continue watching to see how it develops further.
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AllAreDirectors1 year ago rating:9.7
Looking beyond the plot and focusing on Mr. Fan, you can't just talk about wanting success. If your emotional intelligence is lacking, you can make up for it with hardware. By relying on San Yang, the first national brand that truly makes non-burning fire floss and achieves monthly sales exceeding tens of millions, in that era of business competition, quality had to speak for itself.
AlwaysSmiling1 year ago rating:9.6
Truly deserving of being an acclaimed drama recommended by the wealthy in the magical city, this delightful series captures the essence of the Shanghai dialect and the success stories of the 1990s, where fortunes were made. ????
Do you know the Empire State Building in New York? It takes one hour to run from the bottom to the top, but it only takes 8.8 seconds to jump off the roof. That's what stocks are like. To make money from stocks, you must first learn how to lose.
SunSower1 year ago rating:9.5
A Bao didn't go to Miss Wang's appointment. Six years later, he finally understood the embarrassing words SnowZhi said when they reunited. He wanted to prove that SnowZhi's decision to leave was wrong with the ten-year agreement. Now he has become Mr. Bao, but he also understands SnowZhi's choice. People strive for higher positions. That's what SnowZhi thought back then, and now it's what he thinks too.
Liyuan1 year ago rating:8.6
Wong Kar-wai really took his own creative liberties with the original story, haha. The lighting and cinematography truly make the actors look stunning. When Ye Shu stands by the window of the British suite at the Peace Hotel, his silhouette enveloped in a halo of light, one can imagine how exciting his story leading up to the Lifting Bridge must be. The endings of the first four episodes all leave suspense, and I can't wait to see what happens next in the storyline.
Clementine1 year ago rating:9.8
At the end of the year, I met my favorite male lead of the year, A Bao. He was full of confidence during the initial stages of his entrepreneurial journey, showcasing both courage and talent. Even after becoming the "high and mighty" Mr. Bao in everyone's eyes, he remains loyal and compassionate. He empathizes with others' hardships and shows sympathy. He doesn't hesitate to face the cutthroat competition in the business world. It's truly satisfying to see him repay others in kind, using their own methods against them. I absolutely adore his subtle yet sharp personality and behavior.
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I'll just go by Azhai1 year ago rating:9.9
Before watching, I was worried that it might be too stylized and difficult to understand, but I was amazed by the fast-paced rhythm right from the beginning. The visuals are absolutely unbeatable. Compared to those dramas that claim to have a film-like quality in recent years, this one is truly on a completely different level. As for the plot, I've reached the fifth episode, and I feel that it's already deserving of a high rating.
Strawberry1 year ago rating:9.6
Ashes of Time" made Wong Kar-wai my favorite director. I was actually worried that he would be constrained and unable to fully express himself when directing a TV drama. Thankfully, "Fanhua" turned out to be very much in Wong Kar-wai's style. For me, it deserves more than five stars, I would give it six stars if I could.
Kiko1 year ago rating:9.4
The esteemed director truly lives up to their reputation. The cinematography is top-notch, and each episode has a cinematic quality to it. Prior to its premiere, I was concerned that the director's storytelling might lean towards stream of consciousness. The non-linear narrative in the first two episodes may not have been very audience-friendly for a TV drama. However, starting from the third and fourth episodes, the storytelling timeline becomes smooth, and the plot takes off in the fifth and sixth episodes. Both the lead actors and supporting cast shine in this drama. Every character is well-developed, and Dong Yong in particular contributes to all the comedic moments so far. Looking forward to what's to come!
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Timely1 year ago rating:8.6
The casting is good, and the plot is good too. The pace of the first two episodes is average, but it gradually reaches its peak in episodes 4 and 5, becoming more and more exciting. To be honest, at first, the set design and color grading gave me a feeling of the glamorous Shanghai during the Republic of China era. However, after watching a few episodes, I started to think that this retro and luxurious style could also be reasonably placed in the old Huanghe Road. Moreover, in an era where there are so many poorly made dramas, it's rare to see such a high-quality production. It's really worth everyone's patience to watch.
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FadedHeroine1 year ago rating:9.9
Li Li hands over a ladder, and Bao Zong can ignite a sea of flames. The tremendous celebrity benefits sparked by a high-quality replica T-shirt not only provide a thrilling experience in the business war, but also allow us to appreciate the unspoken understanding between Li Li and Bao Zong. The screenwriter is truly skilled.
HungryEater1 year ago rating:5.4
So far, only Teacher You Ben Chang has grasped the tone of this film. Other actors and even the director, all seem out of sync. The editing is chaotic, and the visuals feel forced... Once again, I have to say that I don't like it.
Enthusiast1 year ago rating:9.8
It's really, really good and captivating. The plot is engaging, and the aesthetics are on point. Everyone is in their element. In recent years, there hasn't been any other Chinese drama production more exquisite than this one. I hope people won't blindly criticize it. Once you've watched the third episode, you won't be able to stop.
Hollow1 year ago rating:7.4
The script is not a big issue, and you can see the strength of the original work. However, Wang's directing style is a major deduction, seriously. The shaky camera shots, close-ups through windows and glass, fragmented character movements, and the constant flickering of various lights in the dark-toned filters. It's exhausting to watch, and it hinders the observation of subtle facial expressions or the surrounding environment.
Especially the occasional BGM that plays, it feels like a trendy short video rather than a TV drama. If they had a different director, I believe it could easily score 4.5 out of 5.
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Guzun1 year ago rating:9.1
Hu Ge's performance is quite formulaic; every movement and expression seems rehearsed. Ma Yi Li falls into a similar pattern. Tang Yan is surprisingly impressive, while You Ben Chang brings pleasant surprises. Ye Shu truly stands out as the best character thus far. However, it is unexpected that this drama has little connection to the original novel "Blossoms.
Zero1 year ago rating:9.6
Five-star praise! This kind of dialect drama should be preserved more. It showcases Shanghai's local culture, the intense business battles during the era of economic reforms, the stock market, the Shanghai Composite Index, share subscription warrants, and the bustling Huanghe Road that carries the memories of Shanghai residents...
MeowYa1 year ago rating:9.9
I started watching it because of Wong Kar-wai, and it's quite enjoyable. Ma Yi Li portrays the style of a young boss lady, and Xin Zhi Lei has a great temperament. They both bring out the boldness and intelligence of their characters. Knowing how to explain the different levels to Mr. Xu is extraordinary. The drama "Fanhua" really understands the audience. It's relatable to reality, with a combination of various accents, clear emotions, and morally upright characters. It's down-to-earth, with a fast-paced and refreshing plot. I'm loving it.
Momo1 year ago rating:9.7
Although Miss Wang may appear to be loud and boisterous, achieving the annual five million US dollars as mentioned by Director Jinke, it feels like it's not just the help of A Bao behind her. Maybe there will be a twist later on! Looking forward to it.
Orange Flavor1 year ago rating:9
There are only two types of people in this world: those who haven't watched "Fanhua" and those who think it's amazing. Before watching it, I thought it would be another cliché drama with some gimmicks, but it turned out to be different. The vibrant character A Bao, sincerely offering gifts to Ye Shu in order to make money, was so genuine. I knew this drama was solid.
RebornPlayer1 year ago rating:7.6
The production quality is truly impressive, with high standards that are second only to the long seasons. But honestly, the storytelling is boring and lacks depth. It's exhausting to watch. As for the actors, My Tang's wooden acting remains unchanged, without any improvement. Ma Yi Li's portrayal of a savvy and sweet Shanghai girl is just another impression (watching too much of it on TV can really get tiring). As for Hu Ge, let's not even talk about the things he never quite gets.
DannyLovesMa1 year ago rating:9.3
As an 80s-born who grew up watching Hong Kong movies, I really appreciate this classic Hong Kong-style "suspense film" with all the iconic sunglasses. However, I can understand the criticisms from others. Firstly, Wong Kar-wai himself has always been more renowned for his artistic reputation than box office success. His box office records have already proven that many people are not accustomed to his filmmaking style. Then there's the issue with the Shanghai aesthetics in the film, which resembles Hong Kong a bit, and the abundant use of Cantonese oldies as the soundtrack. It makes it difficult to find the vision of 1990s Shanghai's Huanghe Road that we had imagined. Additionally, there's the issue of public sentiment, whether it's Hong Kong or Shanghai. That sense of superiority, even if it has its historical context, is true. However, in today's economically sluggish society and the resurgence of pink trends among the younger generation, such flamboyance is bound to be criticized.
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Dustless1 year ago rating:9.9
The Shanghainese version is really enjoyable. The actors' way of speaking is so sweet and it truly reflects the unique flavor of Shanghai. Huanghe Road, Nanjing Road, No. 27—these familiar locations. A Bao's journey from an ordinary young man to a Shanghai business tycoon also showcases the changes and prosperity of Shanghai during that era.
CaptainHotPot1 year ago rating:8.8
You think you're eating lobster, but in reality, you're eating opportunities. Each lobster represents an opportunity. It's either networking or seeking favors." This statement is so true! For businesspeople, the dining table is a smokeless battlefield.
I watched the Shanghainese version. The cinematography, which is a consistent feature of Wong Kar-wai's works, doesn't need much discussion. The story is tightly woven, with distinct and interesting characters.
By the 5th and 6th episodes, the character Mr. Fan becomes quite intriguing, and the gradually ambiguous relationship between Miss Wang and Boss Bao is also fascinating.
Additionally, I'd like to commend the previews for each episode of this drama. Many previews in other shows either give away too much or use misleading editing, but the previews for this drama cleverly provide a sense of the pacing and atmosphere of the upcoming story without completely spoiling the plot.
Even though I lived on Julu Road and Jinxian Road for five years, even though I've read the original work, even though the 90s are vivid in my memory, and even though I dislike Wong Kar-wai (I gave "The Grandmaster" a negative review because I feel he likes to be unnecessarily obscure), to be honest, I'm quite enthusiastic about "Blooming Flowers" (watching the Shanghainese version), and I'm really getting into it.
I'll give it four stars for now, but it may change after it finishes airing. I really like this drama. Not to mention its profound cinematic feel or the camera work, but the pacing of the story is just right up my alley.
Wong Kar-wai has always given me the impression of prioritizing atmosphere over plot, but this time he knows how to tell a story. I think the Mandarin version on Channel 8 deducts some points. They claim it's Mandarin, but it's actually Shanghainese-accented Mandarin, and the lip-sync is off, which feels quite awkward.
The Shanghainese version adds more charm to the characters. If you don't understand, you can watch with subtitles. Whether the drama is good or not, you have to watch it yourself to find out.
After twenty years, sitting in front of the monitor on the set of 'Blooming Flowers,' Wong Kar-wai will remember how breathtaking the lighting and colors were in the frame when he edited 'In the Mood for Love'..." The style of an auteur director can change, but who can accept such a drastic transformation from a phoenix to a chicken?
Could the composition and camera movements that are allowed with sunglasses from ten years ago pass? Could the voiceover and pacing allowed from twenty years ago be present? Even by the standards of current TV dramas (especially those ceiling-breaking works), 'Blooming Flowers' feels quite outdated.
95% of the shots are close-ups, close-ups, and clichéd shot-reverse-shot editing, as if assuming the audience still uses CRT televisions at home. Combined with presumptuous lighting and Art Deco that even Gatsby would find unimpressive, it's simply provoking all the sunglasses fans.
The voiceover is even more frustrating. Those so-called poetic moments represented by 'Fallen Angels' and 'Chungking Express' have lost their charm and have completely devolved into the existence of a short video commentary.
When the audiovisual experience has degraded to such a state, I'm sorry, but I can't focus on the quality of the screenplay. Wong Kar-wai seems to be just a figurehead, isn't he?
I've only watched a few episodes superficially, but the set and visuals from 1990 look more like 1900. When it comes to the most authentic Shanghai market of the 1990s, it has to be "Stock Madness." Pan Hong, the veteran actress, has a stylish charm.
I can still understand Shanghainese, but it doesn't compare to the Shanghai dialect spoken by the two veteran actors from TVB in the past, which sounded so pleasant. I won't be watching the business war part.
It's all smoke and mirrors, but there isn't actually much political maneuvering going on. Xin Zhi Lei thinks she has a powerful background, but when the chef went on strike, she had no choice but to ask Hu Ge to step in...
Is Hu Ge a substitute for Jin Dong? Three stars for the original Shanghai dialect and the performances of Ma Yili and Wu Yue.
A top-tier film director tackling his favorite genre, and with nearly unlimited financial resources, creates a near-perfect television drama that surpasses all other TV dramas of this year. Yes, all TV dramas, whether they are from the United States, United Kingdom, Japan, or South Korea.
As a Shanghai native, after watching the first episode in Shanghainese dialect, here's my initial impression: The visuals are stunning! Beautiful! Hu Ge, Xin Zhi Lei, and other actors speak Shanghai dialect well. Although there are still some elements of foreign influence, it's great to see Shanghai-born actors like Papi and Ju Jie, who are familiar faces in the Chinese entertainment industry, coming together in one drama.
Now, let's talk about something controversial. Chen Xunqi, the music is a letdown. It completely fails to match the cinematography, lighting, and performances. It feels like canned material that I've heard in many other TV dramas! It completely disrupts my viewing experience.
As soon as the upward-angle shots appeared, I wanted to ask Director Wang, what are you doing? The constant use of flashbacks and intercutting, going back and forth, making even the smallest details unnecessarily elaborated...
By the time I reached the tenth episode, I increasingly felt that he was just a pretentious director, wasting my time. Since we're speaking frankly, I'm not afraid to be a bit harsh. It's shameless to rely on the same old Hong Kong filming techniques and still expect applause.
Wong Kar-wai is indeed very vulgar. I've always felt that he is shallow, and now he has completely exposed himself by making TV dramas. What is this thing he's shooting? Teaching people how to make money? Materialism? I've long known that behind that extravagance lies a filthy flattery.
Dropped the Shanghai dialect version after half an episode. The transitions, editing, dubbing, and music are all cheap, and even the excessive use of Wong Kar-wai's filters couldn't hide the decline in quality.
It wasn't until I read the information provided in the film and the plot summary that I realized it was set in Shanghai in the 1990s. The actors' appearances and way of thinking made me think it was a portrayal of 1930s Shanghai...
The art and lighting indeed have a great sense of quality, but the costumes are too extravagant and don't match the era. As for the opening theme song... anyone who has watched "Battle of the Heirs" would understand, it's just so similar.
After saying so much, let's get back to the plot. I have no desire to continue watching. It's just a lot of pretentiousness without even being able to tell a basic, well-crafted story. Of course, being pretentious seems to be the trademark of the director, but I can't stand such pretentiousness.
The Shanghainese version is really flavorful. I was attracted to it because of the Shanghainese language. I can speak quite a bit of Shanghainese myself, with influences from Yangjingbang. When I hear the lines, my initial instinct is to respond in Mandarin, even though Shanghainese is my native dialect.
It's truly a pity that I'm not as proficient in it. I hope that the preservation and inheritance of Shanghainese can be well protected. Every dialect is a precious treasure.
I forced myself to keep watching it, but even after four attempts, I couldn't continue. Wong Kar-wai is no different from Guo Jingming now. Remember how stunning that short film was in "Fallen Angels"?
Well, this one is just garbage. It's better for Wong brother to retire early; otherwise, his reputation will be tarnished.
Wong Kar-wai's visual and auditory language doesn't quite fit well with TV dramas. Although you can clearly sense the narrative, it's still too fragmented and scattered. I've never quite understood Hu Ge's appeal. Ma Yi Li is starting to feel like she's using a template for her acting style, and Tang Yan is truly a disaster.
And the costume and set design have left me confused; while it's visually appealing, I can't really tell which era it's supposed to be depicting...
Thank you, Wong Kar-wai, for bringing a great work to the TV industry. Teacher Dong Yong is truly remarkable, and Tang Yan's performance this time is impressive, unexpectedly agile. Hu Ge truly embodies the natural charisma of a leading man with sunglasses.
I am very excited to see how the plot develops.
The male-centric vibe is too overwhelming. Does every beautiful female character have to have some ambiguous relationship with the CEO?
Is it really necessary for the screen to be so yellow?
It's exaggerated and artificial. Instead of feeling like a modern setting, it feels like the Republican era. When Zhenzhen Garden sent out invitations for the opening, I thought it was a grand opening of a Shanghai cabaret.
It's all flashy lights, alcohol, and the allure of worldly indulgence, making it hard to see through the haze.
Overall, it feels like an excessive display of skills that goes overboard.
It's like a disjointed compilation of music videos, lacking a sense of balance. It's tiring to watch, and after a few episodes, I don't even remember what happened.
I don't feel the need to watch it or think about it for a day.
Some of the BGM choices are wrong, and the timing of their placement is off. The moment a background song starts playing, it ruins the scene.
Could this be the bustling scene in old Shanghai that Guo Xiaosi has been yearning for? But the sense of era between the two of you seems to be quite mismatched.
A great work! Wong Kar-wai's talent remains strong even at this age. Hu Ge is handsome, and it's rare to see someone portray a cool character without being cheesy. It's a difficult role to play.
He did a fantastic job at the beginning, portraying a young person in their twenties. Despite his age, he still exudes a youthful vibe, which is impressive. Looking forward to the development of the plot.
I speculate that the ending of this drama won't be a happy one. It's likely to be a tragedy.
Fei Xiang is definitely a hidden gem! He sets a fire in the winter, please invite spokesperson "White Snake" Zhao Yazhi. This time, the sunglasses buried many surprises. Several background songs are classics among classics, brimming with nostalgic memories of that era.
Caught up with the updates. Although the dishes at Night Tokyo and Zhi Zhen Garden are different, I feel like their appeal is similar. It truly verifies the saying that people on Huanghe Road are not here for food. The most valuable news comes from Huanghe Road.
This is a portrayal of the 1990s conjured up in the mind of a Hong Kong director. The social environment and character appearances were not like this at that time. However, "Blooming Flowers" is also a creation of Mr. Jin, and when I read it, I was somewhat surprised, moved, and saddened.
The writing is bold, the emotions are vivid, and there's a mix of joy and sorrow. Nowadays, under the lens of a renowned director, the world of glamour is exaggerated, shrewd, and noisy. With ten years of filming, building up anticipation all the way, and continuous hype, where is the so-called "authenticity"?
It's merely a blend of 1990s elements and the nostalgia for old Shanghai dreams. Of course, as long as Mr. Jin remains silent, we're just making blind speculations.
If it were in Shanghainese, wouldn't it be great if every supporting character and narrator spoke in Shanghainese? It's so jarring when you hear someone suddenly switch to standard Mandarin.
Ye Shu's lines have more charisma than Hu Ge's. What's with the strange background music and slow-motion shots? Is this supposed to be a popcorn comedy film set in a retro era?
The pacing is chaotic, the editing is fragmented, and only Xin Zhi Lei stands out as a normal character without being oily, greasy, or pretentious. The film-like quality of Wong Kar-wai's signature sunglasses does not add any value; instead, it hinders character development and storytelling.
All you can see are the contrived camera angles and lighting that are supposed to be sophisticated but come across as forced. I'm already getting tired and frustrated halfway through.
After watching this drama, I became a fan of Tang Yan. It's said that she filmed a scene 86 times, but her performance in the midst of the bustling storyline was truly impressive. At the Three Oceans book signing event, she portrayed a lively and genuine Shanghai girl with great authenticity.
The scenes between Chairman Bao and Zhi Zhenyuan have a Wong Kar-wai vibe, while the scenes involving A Bao, Ye Dongjing, and Miss Wang feel like a romantic comedy TV series.
Overall, it's pretty good, but there are some inexplicable musical choices that deduct points. It doesn't quite feel like Chen Xunqi's style.
Ma Yi Li's acting is excellent, Xin Zhi Lei is very beautiful, and Tang Yan is quite noisy. Hu Ge is quite pretentious. If it weren't for director Wong Kar-wai, there wouldn't be so many big shots giving face to him and making cameo appearances.
The innovative aspects of "Fanhua" and the acquisition of a popular IP wouldn't have convinced Tencent to take the risk if they had to stick to a vulgar and clichéd script.
Are top-tier resources only used to portray a stereotypical middle-aged Jack Sue character? If this script wasn't meant for Wong Kar-wai, would Jin Yucheng be happy with his novel being adapted like this?
Or is it that television drama viewers are only deserving of this kind of content?
Although the drama didn't focus much on Jing Xiu's cigarette paper shop, his presence was so strong. I initially thought that all the news on Huanghe Road revolved around the discussions at the restaurant owners' tables.
But now I realize that Jing Xiu is just as knowledgeable, if not more, than those sitting at the dining tables.
This drama should be enough to make most of the current dramas feel ashamed. It serves as a reference for those who aspire to create good dramas, reminding them to reflect on the basic requirements of telling a clear story.
This drama seems to have almost no unnecessary scenes, shots, or superfluous dialogue. The set designs and props show a genuine respect for the needs of the story.
I've watched up to ten episodes so far, and it's been quite enjoyable.
It feels like the long-lost joy of watching dramas has returned. I'll continue watching to see how it develops further.
Looking beyond the plot and focusing on Mr. Fan, you can't just talk about wanting success. If your emotional intelligence is lacking, you can make up for it with hardware. By relying on San Yang, the first national brand that truly makes non-burning fire floss and achieves monthly sales exceeding tens of millions, in that era of business competition, quality had to speak for itself.
Truly deserving of being an acclaimed drama recommended by the wealthy in the magical city, this delightful series captures the essence of the Shanghai dialect and the success stories of the 1990s, where fortunes were made.
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Do you know the Empire State Building in New York? It takes one hour to run from the bottom to the top, but it only takes 8.8 seconds to jump off the roof. That's what stocks are like.
To make money from stocks, you must first learn how to lose.
A Bao didn't go to Miss Wang's appointment. Six years later, he finally understood the embarrassing words SnowZhi said when they reunited. He wanted to prove that SnowZhi's decision to leave was wrong with the ten-year agreement.
Now he has become Mr. Bao, but he also understands SnowZhi's choice. People strive for higher positions. That's what SnowZhi thought back then, and now it's what he thinks too.
Wong Kar-wai really took his own creative liberties with the original story, haha. The lighting and cinematography truly make the actors look stunning. When Ye Shu stands by the window of the British suite at the Peace Hotel, his silhouette enveloped in a halo of light, one can imagine how exciting his story leading up to the Lifting Bridge must be.
The endings of the first four episodes all leave suspense, and I can't wait to see what happens next in the storyline.
At the end of the year, I met my favorite male lead of the year, A Bao. He was full of confidence during the initial stages of his entrepreneurial journey, showcasing both courage and talent. Even after becoming the "high and mighty" Mr.
Bao in everyone's eyes, he remains loyal and compassionate. He empathizes with others' hardships and shows sympathy. He doesn't hesitate to face the cutthroat competition in the business world. It's truly satisfying to see him repay others in kind, using their own methods against them.
I absolutely adore his subtle yet sharp personality and behavior.
Before watching, I was worried that it might be too stylized and difficult to understand, but I was amazed by the fast-paced rhythm right from the beginning. The visuals are absolutely unbeatable. Compared to those dramas that claim to have a film-like quality in recent years, this one is truly on a completely different level.
As for the plot, I've reached the fifth episode, and I feel that it's already deserving of a high rating.
Ashes of Time" made Wong Kar-wai my favorite director. I was actually worried that he would be constrained and unable to fully express himself when directing a TV drama.
Thankfully, "Fanhua" turned out to be very much in Wong Kar-wai's style. For me, it deserves more than five stars, I would give it six stars if I could.
The esteemed director truly lives up to their reputation. The cinematography is top-notch, and each episode has a cinematic quality to it. Prior to its premiere, I was concerned that the director's storytelling might lean towards stream of consciousness.
The non-linear narrative in the first two episodes may not have been very audience-friendly for a TV drama. However, starting from the third and fourth episodes, the storytelling timeline becomes smooth, and the plot takes off in the fifth and sixth episodes.
Both the lead actors and supporting cast shine in this drama. Every character is well-developed, and Dong Yong in particular contributes to all the comedic moments so far. Looking forward to what's to come!
The casting is good, and the plot is good too. The pace of the first two episodes is average, but it gradually reaches its peak in episodes 4 and 5, becoming more and more exciting.
To be honest, at first, the set design and color grading gave me a feeling of the glamorous Shanghai during the Republic of China era. However, after watching a few episodes, I started to think that this retro and luxurious style could also be reasonably placed in the old Huanghe Road.
Moreover, in an era where there are so many poorly made dramas, it's rare to see such a high-quality production. It's really worth everyone's patience to watch.
Li Li hands over a ladder, and Bao Zong can ignite a sea of flames. The tremendous celebrity benefits sparked by a high-quality replica T-shirt not only provide a thrilling experience in the business war, but also allow us to appreciate the unspoken understanding between Li Li and Bao Zong.
The screenwriter is truly skilled.
So far, only Teacher You Ben Chang has grasped the tone of this film. Other actors and even the director, all seem out of sync. The editing is chaotic, and the visuals feel forced... Once again, I have to say that I don't like it.
It's really, really good and captivating. The plot is engaging, and the aesthetics are on point. Everyone is in their element. In recent years, there hasn't been any other Chinese drama production more exquisite than this one.
I hope people won't blindly criticize it. Once you've watched the third episode, you won't be able to stop.
The script is not a big issue, and you can see the strength of the original work. However, Wang's directing style is a major deduction, seriously. The shaky camera shots, close-ups through windows and glass, fragmented character movements, and the constant flickering of various lights in the dark-toned filters.
It's exhausting to watch, and it hinders the observation of subtle facial expressions or the surrounding environment.
Especially the occasional BGM that plays, it feels like a trendy short video rather than a TV drama.
If they had a different director, I believe it could easily score 4.5 out of 5.
Hu Ge's performance is quite formulaic; every movement and expression seems rehearsed. Ma Yi Li falls into a similar pattern. Tang Yan is surprisingly impressive, while You Ben Chang brings pleasant surprises. Ye Shu truly stands out as the best character thus far.
However, it is unexpected that this drama has little connection to the original novel "Blossoms.
Five-star praise! This kind of dialect drama should be preserved more. It showcases Shanghai's local culture, the intense business battles during the era of economic reforms, the stock market, the Shanghai Composite Index, share subscription warrants, and the bustling Huanghe Road that carries the memories of Shanghai residents...
I started watching it because of Wong Kar-wai, and it's quite enjoyable. Ma Yi Li portrays the style of a young boss lady, and Xin Zhi Lei has a great temperament. They both bring out the boldness and intelligence of their characters.
Knowing how to explain the different levels to Mr. Xu is extraordinary. The drama "Fanhua" really understands the audience. It's relatable to reality, with a combination of various accents, clear emotions, and morally upright characters.
It's down-to-earth, with a fast-paced and refreshing plot. I'm loving it.
Although Miss Wang may appear to be loud and boisterous, achieving the annual five million US dollars as mentioned by Director Jinke, it feels like it's not just the help of A Bao behind her. Maybe there will be a twist later on! Looking forward to it.
There are only two types of people in this world: those who haven't watched "Fanhua" and those who think it's amazing. Before watching it, I thought it would be another cliché drama with some gimmicks, but it turned out to be different.
The vibrant character A Bao, sincerely offering gifts to Ye Shu in order to make money, was so genuine. I knew this drama was solid.
The production quality is truly impressive, with high standards that are second only to the long seasons. But honestly, the storytelling is boring and lacks depth.
It's exhausting to watch. As for the actors, My Tang's wooden acting remains unchanged, without any improvement. Ma Yi Li's portrayal of a savvy and sweet Shanghai girl is just another impression (watching too much of it on TV can really get tiring).
As for Hu Ge, let's not even talk about the things he never quite gets.
As an 80s-born who grew up watching Hong Kong movies, I really appreciate this classic Hong Kong-style "suspense film" with all the iconic sunglasses. However, I can understand the criticisms from others. Firstly, Wong Kar-wai himself has always been more renowned for his artistic reputation than box office success.
His box office records have already proven that many people are not accustomed to his filmmaking style. Then there's the issue with the Shanghai aesthetics in the film, which resembles Hong Kong a bit, and the abundant use of Cantonese oldies as the soundtrack.
It makes it difficult to find the vision of 1990s Shanghai's Huanghe Road that we had imagined. Additionally, there's the issue of public sentiment, whether it's Hong Kong or Shanghai. That sense of superiority, even if it has its historical context, is true.
However, in today's economically sluggish society and the resurgence of pink trends among the younger generation, such flamboyance is bound to be criticized.
The Shanghainese version is really enjoyable. The actors' way of speaking is so sweet and it truly reflects the unique flavor of Shanghai. Huanghe Road, Nanjing Road, No. 27—these familiar locations.
A Bao's journey from an ordinary young man to a Shanghai business tycoon also showcases the changes and prosperity of Shanghai during that era.
You think you're eating lobster, but in reality, you're eating opportunities. Each lobster represents an opportunity. It's either networking or seeking favors." This statement is so true!
For businesspeople, the dining table is a smokeless battlefield.