Take a lesson from Hong Kong dramas, seriously. After all these years, Hong Kong dramas have rarely disappointed, unlike some mainland Chinese dramas. Let's not even talk about other themes, just focus on the workplace. Look at how they portray it, making the workplace feel as intense as a palace battle is truly amazing. In reality, the workplace can indeed be like a battle, but it's mostly men who engage in internal conflicts, while women are busy building their careers and laughing all the way to success.
LostInFlames1 year ago rating:8.1
It's getting more ridiculous on the subway. Xu Shi Qing, are you looking for a boyfriend or reminiscing about your father? Are you carrying your own child or serving as a man's childbearing tool? How can you ask such a question: "Have you thought it through? " Didn't you think about it yourself first? Now it feels like this character's image is just an accumulation of buffs, it's too absurd.
Morning Light1 year ago rating:9.6
Although "the responsibility of journalists is to record and report, not to get involved," sometimes it is unavoidable to participate because journalists are also individuals with empathy and social conscience. In today's media industry, many people can barely be called media professionals, let alone journalists.
GrassLover1 year ago rating:5.1
Relying on the crazy marketing of "female-oriented" topics, it's actually just office politics and constant fighting in meetings. If they are so good at writing "palace intrigue," why not focus on historical dramas instead of office settings? And that line in the office, "I'll accompany you to the end," why not have a close-up shot of them walking through the office? ???
Wen1 year ago rating:9.9
The pacing was fast in the beginning, and the plot was gripping. However, in the middle and later parts, I don't know if it's due to editing, but it feels like it has a bit of an unsatisfactory ending. Some of the characters' psychological changes feel forced. Only Wen is clear about what she wants and remains steadfast in her goals. As for the others, the so-called "goddess of justice" suddenly gets involved in a romantic relationship, Zhang Jiayan breaks up and joins the power struggle for no apparent reason. What about their earlier convictions? It all seems hypocritical. I just feel that the further I go, the more I don't know what I'm watching anymore. Everyone's ambitions fade away, and the character development starts to crumble slowly.
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Empress Wang1 year ago rating:8.2
The first time I watched a Hong Kong drama was memorable and exhilarating. The dialogues were exceptionally well-written, discussing different values without distortion! This alone is worth learning from. The slightly exaggerated plot and palace intrigue are insignificant compared to the significant step taken in exploring women's issues in the modern era.
DrowningKitten1 year ago rating:8.7
TVB's romantic plotlines are as melodramatic as ever... Cathy and Xu Shi Qing were actually forced to go public with their relationship... The scene where Cathy announces her pregnancy and they hold hands in front of everyone to go to the hospital left me with a lot of question marks, it felt a bit out of character... But who knows, maybe it's because her father's critical condition caused some changes in her personality.
Thumb1 year ago rating:6.1
A group of individuals lacking professional ethics and media literacy are hosting a live broadcast on a workplace drama in the newsroom. The script seems to be written by a chatbot like ChatGPT, with prompts like "What are some famous quotes from news books? " Is that flashy red background at the beginning meant to be taken seriously? It's so tacky. They introduced social issues, but it feels like they only scratched the surface and mostly focused on manipulating the audience's emotions with triggering plot elements.
Lime1 year ago rating:6.6
A mix of good and bad??? But it's probably one of the few Hong Kong dramas in recent years that I can actually watch.
However, as the plot progresses, it becomes more and more nonsensical. Everyone is a villain, and they constantly fight with each other, which is incomparable to the Hong Kong dramas of the past.
But it's still better than the ones in recent years.
Echo1 year ago rating:6.4
It was great in the beginning, up until episode 21. Suddenly, I realized that the plot was being driven solely by contrived coincidences. The collection of inexplicably obtained information and unexpected events became predictable. Some plot points and editing choices were also baffling, leaving viewers confused and puzzled.
muzi1 year ago rating:7.1
A few years ago, I watched Newsroom and really liked that drama. This show has a lot of similarities to it, but it's just slightly different. However, there's a huge gap between them. There are many logical inconsistencies in the plot and it seems a bit exaggerated. The plot is muddled and lacks coherence.
Glance1 year ago rating:9.7
I've been watching it all the way until now, watched 8 episodes in one go, and it's so good! It's exactly what I like. None of the characters are perfect, not even the female lead. They all have their flaws, but I really like this kind of drama. This is what a true female-centric drama should be like.
Chestnut1 year ago rating:8.8
It's really good, the pacing is spot on. I initially found it boring, but unexpectedly got hooked. Every character in this drama is well-developed. There are no purely good or bad characters; everyone is striving for something using different means. Cathy's storyline, in my opinion, is well-written. Man's storyline is also quite interesting. I hope it doesn't end poorly or abruptly.
PTK1 year ago rating:9.6
So disgusting, the way they prioritize the husband's surname. Only when you have a boyfriend will you understand all kinds of topics, and they even quiz you on it. People are small, fragile, and easily broken. One moment they're full of vitality, and the next second their heart stops beating. Zhang Jia Yan: When you're invested, there are naturally many dissatisfactions. It's too real. Sometimes, you feel like you have no right to know, no right to speak, and even no human rights. You can only rage and ignore the world. Often, you feel that those in power don't deserve it, and that's the reality. But what can you do? Taking things seriously means losing. Life rarely has the kind of thrilling comeback that TV dramas do.
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River1 year ago rating:6.1
TVB has always been known for its stark portrayal of good and evil, the core values of punishing evil and promoting goodness, as well as its blunt critique of societal issues in a rebellious manner. Though it may be simplistic, full of loopholes, and even somewhat outdated, it's fortunate that it still carries an earnestness and unwavering commitment to its original purpose, which is why there are always people willing to support it.
MaoMaoBlabber1 year ago rating:5.6
I feel like the journalists in these TV dramas are arguing about some very sensationalized things. However, that's not how the news industry works in mainland China: either they present and comment on international events in a neutral manner like CCTV, or they explore the everyday lives of ordinary people like in "1818 Golden Eyes." That's why I naturally look down on media from outside the mainland, even from Hong Kong, as I can't empathize with them.
HalfDay1 year ago rating:9.6
Overall, this is the best Hong Kong drama I've seen in recent years. The dialogues are deeply impactful, and each character has many dimensions, not simply good or bad. However, the plot becomes somewhat weak towards the end, and the focus on news reporting isn't prominent enough. Nonetheless, it's still very enjoyable, and I highly recommend it. I give it a rating of 4.5 out of 5 stars.
Non-Flying Superman1 year ago rating:5.1
TVB probably knows how to make workplace dramas, but this time they deliberately decided not to and instead presented a pile of palace intrigue garbage to the audience. Arrogantly, they say, "Look, I'm still the industry leader in making workplace dramas. Bow down.
Upon closer inspection, the logic behind News Queen being based on an independent female character is still rooted in sleazy male perspectives. If Wen Hui Xin were replaced by a male character, wouldn't he be criticized to death?
I can't see the professionalism and sincerity in this workplace drama. I'm giving up on it.
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SoaringSong1 year ago rating:7.4
7 out of 10. The beginning was interesting and much better than the entertainment industry dramas. The characters had independent personalities and motivations. It was refreshing to see ambitious women. However, I gave up after watching over ten episodes. I initially liked it because of the professional competition, but I grew tired of the endless power struggles and plot twists. The actors in the drama say that they should prioritize news and not chase after popularity, but isn't this drama heading in the opposite direction?
Pritt1 year ago rating:9.7
Disgusting patriarchal surname. They only think you'll understand various topics if you have a boyfriend, and they even test you on it? People are small, fragile, and vulnerable. Being lively and spirited, but your heart could stop in the next second. Zhang Jia Yan: When you truly care, there are naturally many dissatisfactions. It's too real. Sometimes you feel like you have no right to know, no right to speak, and even no human rights. All you can do is rage and try to ignore worldly matters. Often, you feel that those in power are undeserving, and that's the reality. But what can you do? Should you just give up and accept it? No! Although real life rarely has the exciting and dramatic moments of a TV show, CrystalClear is a great song.
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Echoes1 year ago rating:6.7
The Queen of News, also known as The News Lunatic, aka don't work too hard or you'll go crazy. I was expecting a story about a strong woman pursuing her career and seeking the truth in journalism. Instead, it turned out to be a mess of backstabbing, manipulation, and tangled romantic storylines, lacking the charm of idol Korean dramas from ten years ago.
Fumiko1 year ago rating:7.8
I quite like every character, but the one I dislike the most is definitely Liu Yan. Others have experienced setbacks to some extent and made choices based on that, but Liu Yan has never really faced any major setbacks. She can hold her ground and maintain her stance, but she shouldn't criticize those who have been affected and haven't found their footing yet. Moreover, her interruption during the press conference at the end really ruined my impression of her. She constantly portrays an arrogant and self-satisfied attitude.
CaffeineAllergy1 year ago rating:8.5
I was recommended to watch this drama due to its five-star reputation, but there are still some illogical aspects that make me feel awkward. However, overall, it can still be considered a remarkable drama. Hong Kong dramas really dare to push boundaries. But Zhang Jia Yan's character design is really... hard to put into words...
XiaomingStudent1 year ago rating:8.6
I watched this drama seriously and originally planned to rate it after finishing, but the last 3 episodes made a big difference. Firstly, I really appreciate that everyone in the drama is dedicated to their careers, which greatly inspires me as I'm currently on maternity leave.
Secondly, the character development is excellent. I went through a process of liking and disliking almost every character in the drama, or vice versa. It has the ability to sway the audience's preferences, no wonder it's based on news material.
Next, regarding Zhang Jia Yan in the drama, her character starts off as serious and dedicated, but later compromises for her position in the workplace. Not only does she compromise, but she also makes excuses, which makes the character portrayal interesting. Many viewers like her boyfriend, but from her perspective, a Pennsylvania news master's degree and various professional accolades, giving up her career for a lawyer with a similarly bright future... well, it's a dream for a man, even if the guy appears to provide emotional value. In the drama, the husband of the former pillar sister Hua is several levels higher than the lawyer. The reason he's popular is that in reality, many girls can't reach someone like him.
Lastly, I find the plot a bit exaggerated. Many things jump to having clues and results immediately. I'm not sure if it's a portrayal of the abilities in the news industry or just an exaggerated technique. Deducting one point for that.
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Ten Thousand1 year ago rating:8.8
I binge-watched it all the way to the final episode, but the more I watched towards the end, the more disgusted I felt. The acting is great, and I know it's meant to metaphorically represent the culture within TVB. However, it's really nauseating. Jiayan and George are both shameless and annoying characters, typical bootlickers in the workplace. A pathetic TV station that only knows internal politics. Fang Tai, as the boss, shouldn't you care about the profitability of your own TV station? Instead, you're always playing mind games and stirring up trouble. I'm done with being a man's sister. Love me or not, I don't care. You're useless when it comes to getting things done, only causing trouble.
P.S.: I don't want to see Ma Ming's old face anymore. His acting is monotonous, and he's not suitable for this role.
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bbbblue_1 year ago rating:8.9
While watching the final few episodes of the drama, the phrase "butterfly effect" kept popping into my mind. Every character's choice in the present moment sets off a series of reactions, like a domino effect. Which choice is the right one? Any comments or actions made really require some careful consideration. It's a reminder to myself.
Zhehai1 year ago rating:9.4
People are truly complex. Sometimes they are kind, and sometimes they have an evil side. When they're in pain, it's because their conscience is constantly struggling, debating whether to sell their soul and become a sophisticated utilitarian. Many people compromise and become numb, but in this world, there are always some kind-hearted idealists who stubbornly live by their principles.
VigorousOne1 year ago rating:8.9
Manjie: The only character with depth and excellent acting skills; George: Ma Ming portrayed him like an old-fashioned father; Zhang Jia Yan: A character with a nonsensical storyline and a worse performance than the Cold Mountain Hidden Dragon from 10 years ago; Xu Xiao Wei: The character's reasoning and consistency were well-established, but He Yi Ting's acting was incredibly terrible (Sister, it's good that you've found someone to marry. Please stop acting in the future). The plot had some flaws later on, but when I think about how it perfectly depicted the real internal struggles of TVB back in the day, everything makes sense...
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Hustler1 year ago rating:8.6
The reason for deducting one star is the handling of the relationships between characters. The character developments seem to follow the plot, but there's a lack of overall perspective. Jia Yan's transformation from seeking the truth to seeking attention feels like a forced turn. And G, the main anchor, shedding crocodile tears in the later stages, perhaps had more sincerity, but it felt insincere to me. He was the one who led Man Jie into the fire scene, yet the misunderstanding between them was never addressed. As for Fei Ye, he succeeded and retired.
Man Jie's character is great. The Thieves' King case disrupted the life trajectories of all the involved parties. Even though she played the role of a news queen during the day, she would find herself alone on the couch at night, immersed in memories and guilt. The expression on her face as she walked towards the police station after the detective woke up felt like a release of burden.
The final case in the last episode truly elevated the drama. I cried several times! The emotional transitions between tears and laughter, as well as the efforts of the female characters in Snk, were remarkable. The scene of them all drinking from the same bottle of water, and then each going their separate ways, was powerful.
In the end, without Man Jie, Snk would have been truly doomed!
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Gypsy1 year ago rating:9.8
Unfortunately, the world doesn't work in our favor. We all want to have fun, turn the tide, and come out on top, but things rarely go as planned. If everything went smoothly, people wouldn't enjoy feel-good dramas. There's always tomorrow after today, and the day after tomorrow after that. Even with thorough planning, things may not go according to plan.
Life is filled with uncertainties, and no one can see the future with a single glance. It's true that there are disappointing aspects to the ending, but it's something we can accept. The actors did a good job, especially Ah Sheh... you should know that I used to like watching TVB with her. It was annoying when they competed with each other, but now Sheh is doing really well. Oh, Li Shi Hua too.
I'm not sure if it's an issue with her acting skills or the fact that a character who was supposed to be positive throughout the entire drama ended up being more annoying than the major antagonist. Personally, I would give it five stars. It's been a while since I watched TVB, and I've missed it.
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Miura1 year ago rating:9.3
I had already decided on my rating halfway through. Even though I was fed up with it near the end, I couldn't bear to change it. I really liked Zhang Jia Yan before the twentieth episode. The idealistic person for whom news was everything had a collapse, and this kind of tragic transformation is rare in modern dramas. Before watching episode 22, I believed that even if she turned "darker," she would still have the same reform beliefs and journalistic ideals as Wen Hui Xin, because the first half was portrayed with such intensity. In a way, they were similar, but Zhang Jia Yan was more stubborn, so the sound of her breaking is more painful. Hmm... I thought they would at least remain half confidantes, but I don't know what the screenwriter was thinking. Also, I really liked Xu Xiao Wei in the middle and later stages. She gradually goes mad after losing everything as a pawn who was used without self-awareness, but the valuable thing is that Wen Hui Xin is always her support, both loved and hated at the same time.
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Anya1 year ago rating:7.1
I'll give it a reluctant 3 stars. I was lured into this workplace drama hype, but after watching around 10 episodes, I gave up. Is this what they call a female-led workplace drama? It's just not up to par. All these workplace dramas are essentially palace intrigue plots. Palace intrigue is driven by the pursuit of supreme power and immense wealth, but in these workplace dramas, they stoop so low for a few pieces of silver. Is it really necessary?
At least the average annual salary should be 3 million before people would go to such lengths as kneeling in the office, sacrificing themselves to their superiors, or becoming double agents. But if it's for a monthly salary of 10,000, it's just not worth it. The screenwriter clearly hasn't experienced a real workplace. TVB used to have many excellent workplace dramas without such a repugnant storyline...
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Howl!1 year ago rating:9
If you want to see female empowerment, this drama can only be described as "there, but not abundant." It mostly amplifies the cutthroat nature of the workplace. The storyline started with a heated sexual harassment accusation, followed by a volleyball team sexual assault, which was quite sensationalized but somewhat acceptable.
The main characters are predominantly women, which makes it more comfortable to watch, but there are still quite a few stereotypes, especially in the episodes where a few of them begin to change and make different choices. Except for Zhang Jia Yan's excessive transformation in the later episodes, overall, it's logically consistent. The ending is a typical Hong Kong-style happy ending. After the setup in the final episode, it feels heartwarming. Once conflicts of interest are removed, people get along harmoniously.
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Hehe1 year ago rating:9.1
In the past six months, it's the only Chinese drama I've been following. If it's able to be aired in advance on Youku, it's bound to have a disappointing ending (a cliché happy ending), after all, there's censorship involved! One thing that felt out of place in the drama is that Zhang Jia Yan didn't turn evil throughout the first two-thirds of the series, but suddenly became a villain towards the end, only to be quickly redeemed in the last half episode... I thought Xu Xiao Wei would become a major antagonist, but instead, she became a pitiful person with a mental illness... Fei Ye, without any romantic storyline, was forcibly given a "true love" subplot by the screenwriters just to set up for the second season...
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Enigma1 year ago rating:9.4
Many characters in the drama are inexplicable. It seems like the screenwriter had a clear idea of what events should happen and then filled in the characters without considering their personalities and motives. For example, Xiaowei's depression conveniently resurfaces when needed and disappears when not. Her hallucinations and auditory hallucinations reach such a severe level, yet she doesn't seek treatment. Can she really recover just by being with children? I'm also worried that she might suddenly have a seizure in front of those kids... Another example is the character "斜杠" (Slant), who appears out of nowhere and dies mysteriously. It's as if they were just there to advance the plot of the illegal racing case...
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Jianghu Swindler1 year ago rating:8.3
Fast-paced drama with a strong female lead, each woman has her own shining moments. The entire cast is wicked, and the last few episodes made me cry.
Man Jie, who always distinguishes between issues and individuals, has a journalistic bottom line. She made mistakes in her decisions, but she remains the queen of news.
Jia Yan's story is a disillusionment for idealists. She upholds justice but cannot be protected, and eventually takes a path to the opposite extreme.
The poetic atmosphere is exquisite. From a sexy beauty to the classy GWY, Xiaowei, who lived for others and was initially weak, finally finds her own direction.
I'm grateful to this drama for portraying so many non-traditional female characters. Loved it!
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E1 year ago rating:9.7
It's been a long time since I've seen such a satisfying female-led drama. The mainland entertainment industry should learn what it truly means to have a strong female lead. It's not just about a group of men being attracted to the female lead's saintly aura and revolving around her.
The plot is tightly paced, and She Shi Man's acting and dialogue delivery are outstanding. When she reports the news, it feels like watching the "6:30 News Bulletin" on Jade Channel. Even the romantic storyline didn't annoy me or overshadow the main plot. She stole the spotlight. I hope the future storyline continues to follow this dominant queen route. The finale was truly surprising.
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Fishy1 year ago rating:8.8
It started off well, but it went downhill in the middle, especially when Xiaowei went crazy and Cathy had a big belly. However, it managed to wrap up nicely in the end.
The last case was quite impressive, but seriously, five women sharing one bottle of water? It reminded me of last year's "Beauty Battlefield" with four women standing there awkwardly.
Most of the big shots in the political and business world portrayed in the drama are men, and they react well to certain issues. It's good to see Cathy getting into politics (though it's not just about using her looks to climb up anymore). But it still feels like the higher-ups are mostly men, relying on connections and abilities.
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Notebook1 year ago rating:9.4
Everyone Is a Villain" has its merits, but it falls short in the end. The plot and the schemes feel a bit foolish. However, it's primarily meant for entertainment purposes. If you're looking for something intellectually stimulating, TVB might not be the best choice...
Four stars: The explosive acting of Shan Cong, the improved acting of the second generation, Ma Ming (no explanation needed), and Li Shi Hua with her natural filter.
I really don't like She Shi Man's performance... and I dislike the characterization of Man Jie as well... I have a strong aversion to Liu Yan's character, who is self-righteous, pretentious, and thoroughly irritating.
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GuoGuoHotPot1 year ago rating:9.6
It's been a while since I watched TVB dramas. Perhaps it's due to the rising feminist discourse and the increasing social status of women. They are breaking away from the entertainment industry's trend of sensationalism and love-centric narratives, and instead, women who focus on their careers are receiving widespread praise from the public. There are no absolute good or bad people; all decisions are driven by values, just with different labels of choice. News does not equal truth; it's merely a different entry point and perspective. Objectively stating facts without any emotional bias may seem dull, but at least it's a 90% decent drama!
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BlueBlue1 year ago rating:9.9
Once felt disappointed, once filled with anticipation, fast-forwarded at times, rewatched at times. Thank you, News Queen, for healing my battered self today. I love this ending, especially the clever little design of the opening quote. I can see the sincerity of the creators throughout. Idealism, balance, truth, and genuine emotions—these can never be fully achieved, but as long as we try not to betray our own hearts and persist in a certain direction, we won't go wrong. My life as a drama viewer, enduring at times, going crazy at times, staying hungry at times, staying stupid at times.
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In-between1 year ago rating:7.9
Just finished watching 231208. The drama provides plenty of dramatic conflicts, but many plot points would be hard to justify in reality. Anchors fighting each other, constantly changing the rounds during the broadcast—aren't they afraid of news accidents? Reporters rushing into fire scenes, taking the parties involved to scenes of violence. Hong Kong's media, for the sake of visuals, not only disregards ethics but even their own lives. I watched six episodes in a row. Despite some flaws, the drama delivers enough dramatic conflicts that can make us overlook some bugs.
Momo1 year ago rating:8.2
The most delightful aspect of "News Queen" is that it's not solely focused on power struggles or the culture of factions. That was just a gimmick in the beginning. Ultimately, it wants to convey the message: no matter how much you fight, you are still yourself. Stay true to yourself, always. Just like the characters in the drama, if they're unhappy working in the news industry, they can find another path or continue to persevere. If they're unhappy in a relationship, they can choose to break up or choose to keep going. Everyone should live for themselves.
Mandy1 year ago rating:9.9
Oh my, it's so touching! It didn't have the disappointing ending that people were talking about on Weibo, so I persisted and finished watching it. This is probably one of the best Hong Kong dramas in the past decade. Ma Ming's live broadcast in the final episode made my tear ducts, which are usually dry, shed tears again. The setting of the five anchors taking turns drinking a bottle of mineral water is also commendable. And the appearance of Bosco at the end gave me a feeling similar to that of Yan Chengxu back in the day.
Rainy Again1 year ago rating:9.2
I don't understand Jia Yan's transformation into a villain. The characters are too extreme, but overall it's decent. The pacing is fast, and the character development is quite good. Idealism in journalism is not always just about ideals. It can be compromised and magnified in the real world, and the existence of journalists is to report the truth. Idealism in journalism is actually the internal balance. PS: Not everything said is from Lu Xun. We should learn to verify things ourselves!
Fu Zening1 year ago rating:6.8
Finished watching it, rated it 3.5. It didn't have a terrible ending, but it followed the typical pattern of starting strong and then declining, just like most TV dramas. Tan Sheng's acting wasn't bad this time, at least better than Ma Ming's performance. There was too much palace intrigue, and Zhang Jia Yan wasn't ruthless enough. Xu Xiao Wei's character and emotional storyline were a bit weak. In the end, Bosco appeared and tried to evoke nostalgia once again.
Sunset1 year ago rating:8.4
One star deducted for the disappointing ending with a shaky plot development. I don't know if the initial premise was set too high or what, but the later storyline couldn't keep up. The characters would have sudden 180-degree personality changes, turning evil one moment and then reconciling and laughing off their grudges the next. Did the scriptwriter write the final few episodes while heavily intoxicated?
Erqi1 year ago rating:9.1
First time watching a modern Hong Kong drama and it feels so realistic. For example, the female lead would go on a date with her subordinate without any over-the-top scenes like throwing coffee or slapping. It portrays a very realistic image of a strong female protagonist who may not be a saint and even has a bit of a bad side, but still manages to be likable and admirable.
SnowBeerKingXL1 year ago rating:8.9
After "Operation Red Sea" and "The White Storm," here comes another beloved Hong Kong film, and it's the first non-crime film. Both She Shi Man and Ma Ming are quite likable. The only drawback is the excessive focus on romance and Xu Xiao Wei's acting skills. Fortunately, the ending is decent, with a crisis resolved and a semi-happy reunion.
Power Saver1 year ago rating:6.1
I spent 500 words on a promising beginning, only to find a ghostwriter who charged me 5 words per chapter and didn't bother with any editing. When it was finally finished, the editor glanced at the last two chapters and demanded a forced happy ending.
Call me inexperienced in drama-watching, but I've never seen such an outrageous departure from reality.
Take a lesson from Hong Kong dramas, seriously. After all these years, Hong Kong dramas have rarely disappointed, unlike some mainland Chinese dramas. Let's not even talk about other themes, just focus on the workplace.
Look at how they portray it, making the workplace feel as intense as a palace battle is truly amazing. In reality, the workplace can indeed be like a battle, but it's mostly men who engage in internal conflicts, while women are busy building their careers and laughing all the way to success.
It's getting more ridiculous on the subway. Xu Shi Qing, are you looking for a boyfriend or reminiscing about your father? Are you carrying your own child or serving as a man's childbearing tool? How can you ask such a question: "Have you thought it through?
" Didn't you think about it yourself first? Now it feels like this character's image is just an accumulation of buffs, it's too absurd.
Although "the responsibility of journalists is to record and report, not to get involved," sometimes it is unavoidable to participate because journalists are also individuals with empathy and social conscience.
In today's media industry, many people can barely be called media professionals, let alone journalists.
Relying on the crazy marketing of "female-oriented" topics, it's actually just office politics and constant fighting in meetings. If they are so good at writing "palace intrigue," why not focus on historical dramas instead of office settings?
And that line in the office, "I'll accompany you to the end," why not have a close-up shot of them walking through the office? ???
The pacing was fast in the beginning, and the plot was gripping. However, in the middle and later parts, I don't know if it's due to editing, but it feels like it has a bit of an unsatisfactory ending.
Some of the characters' psychological changes feel forced. Only Wen is clear about what she wants and remains steadfast in her goals. As for the others, the so-called "goddess of justice" suddenly gets involved in a romantic relationship, Zhang Jiayan breaks up and joins the power struggle for no apparent reason.
What about their earlier convictions? It all seems hypocritical. I just feel that the further I go, the more I don't know what I'm watching anymore. Everyone's ambitions fade away, and the character development starts to crumble slowly.
The first time I watched a Hong Kong drama was memorable and exhilarating. The dialogues were exceptionally well-written, discussing different values without distortion! This alone is worth learning from.
The slightly exaggerated plot and palace intrigue are insignificant compared to the significant step taken in exploring women's issues in the modern era.
TVB's romantic plotlines are as melodramatic as ever... Cathy and Xu Shi Qing were actually forced to go public with their relationship... The scene where Cathy announces her pregnancy and they hold hands in front of everyone to go to the hospital left me with a lot of question marks, it felt a bit out of character...
But who knows, maybe it's because her father's critical condition caused some changes in her personality.
A group of individuals lacking professional ethics and media literacy are hosting a live broadcast on a workplace drama in the newsroom. The script seems to be written by a chatbot like ChatGPT, with prompts like "What are some famous quotes from news books?
" Is that flashy red background at the beginning meant to be taken seriously? It's so tacky. They introduced social issues, but it feels like they only scratched the surface and mostly focused on manipulating the audience's emotions with triggering plot elements.
A mix of good and bad??? But it's probably one of the few Hong Kong dramas in recent years that I can actually watch.
However, as the plot progresses, it becomes more and more nonsensical. Everyone is a villain, and they constantly fight with each other, which is incomparable to the Hong Kong dramas of the past.
But it's still better than the ones in recent years.
It was great in the beginning, up until episode 21. Suddenly, I realized that the plot was being driven solely by contrived coincidences. The collection of inexplicably obtained information and unexpected events became predictable. Some plot points and editing choices were also baffling, leaving viewers confused and puzzled.
A few years ago, I watched Newsroom and really liked that drama. This show has a lot of similarities to it, but it's just slightly different. However, there's a huge gap between them.
There are many logical inconsistencies in the plot and it seems a bit exaggerated. The plot is muddled and lacks coherence.
I've been watching it all the way until now, watched 8 episodes in one go, and it's so good! It's exactly what I like. None of the characters are perfect, not even the female lead. They all have their flaws, but I really like this kind of drama.
This is what a true female-centric drama should be like.
It's really good, the pacing is spot on. I initially found it boring, but unexpectedly got hooked. Every character in this drama is well-developed. There are no purely good or bad characters; everyone is striving for something using different means.
Cathy's storyline, in my opinion, is well-written. Man's storyline is also quite interesting. I hope it doesn't end poorly or abruptly.
So disgusting, the way they prioritize the husband's surname. Only when you have a boyfriend will you understand all kinds of topics, and they even quiz you on it.
People are small, fragile, and easily broken. One moment they're full of vitality, and the next second their heart stops beating. Zhang Jia Yan: When you're invested, there are naturally many dissatisfactions.
It's too real. Sometimes, you feel like you have no right to know, no right to speak, and even no human rights. You can only rage and ignore the world. Often, you feel that those in power don't deserve it, and that's the reality.
But what can you do? Taking things seriously means losing. Life rarely has the kind of thrilling comeback that TV dramas do.
TVB has always been known for its stark portrayal of good and evil, the core values of punishing evil and promoting goodness, as well as its blunt critique of societal issues in a rebellious manner. Though it may be simplistic, full of loopholes, and even somewhat outdated, it's fortunate that it still carries an earnestness and unwavering commitment to its original purpose, which is why there are always people willing to support it.
I feel like the journalists in these TV dramas are arguing about some very sensationalized things. However, that's not how the news industry works in mainland China: either they present and comment on international events in a neutral manner like CCTV, or they explore the everyday lives of ordinary people like in "1818 Golden Eyes." That's why I naturally look down on media from outside the mainland, even from Hong Kong, as I can't empathize with them.
Overall, this is the best Hong Kong drama I've seen in recent years. The dialogues are deeply impactful, and each character has many dimensions, not simply good or bad. However, the plot becomes somewhat weak towards the end, and the focus on news reporting isn't prominent enough.
Nonetheless, it's still very enjoyable, and I highly recommend it. I give it a rating of 4.5 out of 5 stars.
TVB probably knows how to make workplace dramas, but this time they deliberately decided not to and instead presented a pile of palace intrigue garbage to the audience. Arrogantly, they say, "Look, I'm still the industry leader in making workplace dramas.
Bow down.
Upon closer inspection, the logic behind News Queen being based on an independent female character is still rooted in sleazy male perspectives. If Wen Hui Xin were replaced by a male character, wouldn't he be criticized to death?
I can't see the professionalism and sincerity in this workplace drama. I'm giving up on it.
7 out of 10. The beginning was interesting and much better than the entertainment industry dramas. The characters had independent personalities and motivations. It was refreshing to see ambitious women.
However, I gave up after watching over ten episodes. I initially liked it because of the professional competition, but I grew tired of the endless power struggles and plot twists. The actors in the drama say that they should prioritize news and not chase after popularity, but isn't this drama heading in the opposite direction?
Disgusting patriarchal surname. They only think you'll understand various topics if you have a boyfriend, and they even test you on it? People are small, fragile, and vulnerable. Being lively and spirited, but your heart could stop in the next second.
Zhang Jia Yan: When you truly care, there are naturally many dissatisfactions. It's too real. Sometimes you feel like you have no right to know, no right to speak, and even no human rights.
All you can do is rage and try to ignore worldly matters. Often, you feel that those in power are undeserving, and that's the reality. But what can you do? Should you just give up and accept it?
No! Although real life rarely has the exciting and dramatic moments of a TV show, CrystalClear is a great song.
The Queen of News, also known as The News Lunatic, aka don't work too hard or you'll go crazy. I was expecting a story about a strong woman pursuing her career and seeking the truth in journalism.
Instead, it turned out to be a mess of backstabbing, manipulation, and tangled romantic storylines, lacking the charm of idol Korean dramas from ten years ago.
I quite like every character, but the one I dislike the most is definitely Liu Yan. Others have experienced setbacks to some extent and made choices based on that, but Liu Yan has never really faced any major setbacks.
She can hold her ground and maintain her stance, but she shouldn't criticize those who have been affected and haven't found their footing yet. Moreover, her interruption during the press conference at the end really ruined my impression of her.
She constantly portrays an arrogant and self-satisfied attitude.
I was recommended to watch this drama due to its five-star reputation, but there are still some illogical aspects that make me feel awkward. However, overall, it can still be considered a remarkable drama. Hong Kong dramas really dare to push boundaries.
But Zhang Jia Yan's character design is really... hard to put into words...
I watched this drama seriously and originally planned to rate it after finishing, but the last 3 episodes made a big difference. Firstly, I really appreciate that everyone in the drama is dedicated to their careers, which greatly inspires me as I'm currently on maternity leave.
Secondly, the character development is excellent. I went through a process of liking and disliking almost every character in the drama, or vice versa. It has the ability to sway the audience's preferences, no wonder it's based on news material.
Next, regarding Zhang Jia Yan in the drama, her character starts off as serious and dedicated, but later compromises for her position in the workplace. Not only does she compromise, but she also makes excuses, which makes the character portrayal interesting.
Many viewers like her boyfriend, but from her perspective, a Pennsylvania news master's degree and various professional accolades, giving up her career for a lawyer with a similarly bright future...
well, it's a dream for a man, even if the guy appears to provide emotional value. In the drama, the husband of the former pillar sister Hua is several levels higher than the lawyer. The reason he's popular is that in reality, many girls can't reach someone like him.
Lastly, I find the plot a bit exaggerated. Many things jump to having clues and results immediately. I'm not sure if it's a portrayal of the abilities in the news industry or just an exaggerated technique.
Deducting one point for that.
I binge-watched it all the way to the final episode, but the more I watched towards the end, the more disgusted I felt. The acting is great, and I know it's meant to metaphorically represent the culture within TVB.
However, it's really nauseating. Jiayan and George are both shameless and annoying characters, typical bootlickers in the workplace. A pathetic TV station that only knows internal politics. Fang Tai, as the boss, shouldn't you care about the profitability of your own TV station?
Instead, you're always playing mind games and stirring up trouble. I'm done with being a man's sister. Love me or not, I don't care. You're useless when it comes to getting things done, only causing trouble.
P.S.: I don't want to see Ma Ming's old face anymore. His acting is monotonous, and he's not suitable for this role.
While watching the final few episodes of the drama, the phrase "butterfly effect" kept popping into my mind. Every character's choice in the present moment sets off a series of reactions, like a domino effect.
Which choice is the right one? Any comments or actions made really require some careful consideration. It's a reminder to myself.
People are truly complex. Sometimes they are kind, and sometimes they have an evil side. When they're in pain, it's because their conscience is constantly struggling, debating whether to sell their soul and become a sophisticated utilitarian.
Many people compromise and become numb, but in this world, there are always some kind-hearted idealists who stubbornly live by their principles.
Manjie: The only character with depth and excellent acting skills; George: Ma Ming portrayed him like an old-fashioned father; Zhang Jia Yan: A character with a nonsensical storyline and a worse performance than the Cold Mountain Hidden Dragon from 10 years ago; Xu Xiao Wei: The character's reasoning and consistency were well-established, but He Yi Ting's acting was incredibly terrible (Sister, it's good that you've found someone to marry.
Please stop acting in the future). The plot had some flaws later on, but when I think about how it perfectly depicted the real internal struggles of TVB back in the day, everything makes sense...
The reason for deducting one star is the handling of the relationships between characters. The character developments seem to follow the plot, but there's a lack of overall perspective.
Jia Yan's transformation from seeking the truth to seeking attention feels like a forced turn. And G, the main anchor, shedding crocodile tears in the later stages, perhaps had more sincerity, but it felt insincere to me.
He was the one who led Man Jie into the fire scene, yet the misunderstanding between them was never addressed. As for Fei Ye, he succeeded and retired.
Man Jie's character is great. The Thieves' King case disrupted the life trajectories of all the involved parties.
Even though she played the role of a news queen during the day, she would find herself alone on the couch at night, immersed in memories and guilt. The expression on her face as she walked towards the police station after the detective woke up felt like a release of burden.
The final case in the last episode truly elevated the drama. I cried several times! The emotional transitions between tears and laughter, as well as the efforts of the female characters in Snk, were remarkable.
The scene of them all drinking from the same bottle of water, and then each going their separate ways, was powerful.
In the end, without Man Jie, Snk would have been truly doomed!
Unfortunately, the world doesn't work in our favor. We all want to have fun, turn the tide, and come out on top, but things rarely go as planned. If everything went smoothly, people wouldn't enjoy feel-good dramas.
There's always tomorrow after today, and the day after tomorrow after that. Even with thorough planning, things may not go according to plan.
Life is filled with uncertainties, and no one can see the future with a single glance.
It's true that there are disappointing aspects to the ending, but it's something we can accept. The actors did a good job, especially Ah Sheh... you should know that I used to like watching TVB with her. It was annoying when they competed with each other, but now Sheh is doing really well.
Oh, Li Shi Hua too.
I'm not sure if it's an issue with her acting skills or the fact that a character who was supposed to be positive throughout the entire drama ended up being more annoying than the major antagonist.
Personally, I would give it five stars. It's been a while since I watched TVB, and I've missed it.
I had already decided on my rating halfway through. Even though I was fed up with it near the end, I couldn't bear to change it. I really liked Zhang Jia Yan before the twentieth episode.
The idealistic person for whom news was everything had a collapse, and this kind of tragic transformation is rare in modern dramas. Before watching episode 22, I believed that even if she turned "darker," she would still have the same reform beliefs and journalistic ideals as Wen Hui Xin, because the first half was portrayed with such intensity.
In a way, they were similar, but Zhang Jia Yan was more stubborn, so the sound of her breaking is more painful. Hmm... I thought they would at least remain half confidantes, but I don't know what the screenwriter was thinking.
Also, I really liked Xu Xiao Wei in the middle and later stages. She gradually goes mad after losing everything as a pawn who was used without self-awareness, but the valuable thing is that Wen Hui Xin is always her support, both loved and hated at the same time.
I'll give it a reluctant 3 stars. I was lured into this workplace drama hype, but after watching around 10 episodes, I gave up. Is this what they call a female-led workplace drama?
It's just not up to par. All these workplace dramas are essentially palace intrigue plots. Palace intrigue is driven by the pursuit of supreme power and immense wealth, but in these workplace dramas, they stoop so low for a few pieces of silver.
Is it really necessary?
At least the average annual salary should be 3 million before people would go to such lengths as kneeling in the office, sacrificing themselves to their superiors, or becoming double agents.
But if it's for a monthly salary of 10,000, it's just not worth it. The screenwriter clearly hasn't experienced a real workplace. TVB used to have many excellent workplace dramas without such a repugnant storyline...
If you want to see female empowerment, this drama can only be described as "there, but not abundant." It mostly amplifies the cutthroat nature of the workplace. The storyline started with a heated sexual harassment accusation, followed by a volleyball team sexual assault, which was quite sensationalized but somewhat acceptable.
The main characters are predominantly women, which makes it more comfortable to watch, but there are still quite a few stereotypes, especially in the episodes where a few of them begin to change and make different choices.
Except for Zhang Jia Yan's excessive transformation in the later episodes, overall, it's logically consistent. The ending is a typical Hong Kong-style happy ending. After the setup in the final episode, it feels heartwarming.
Once conflicts of interest are removed, people get along harmoniously.
In the past six months, it's the only Chinese drama I've been following. If it's able to be aired in advance on Youku, it's bound to have a disappointing ending (a cliché happy ending), after all, there's censorship involved!
One thing that felt out of place in the drama is that Zhang Jia Yan didn't turn evil throughout the first two-thirds of the series, but suddenly became a villain towards the end, only to be quickly redeemed in the last half episode...
I thought Xu Xiao Wei would become a major antagonist, but instead, she became a pitiful person with a mental illness... Fei Ye, without any romantic storyline, was forcibly given a "true love" subplot by the screenwriters just to set up for the second season...
Many characters in the drama are inexplicable. It seems like the screenwriter had a clear idea of what events should happen and then filled in the characters without considering their personalities and motives.
For example, Xiaowei's depression conveniently resurfaces when needed and disappears when not. Her hallucinations and auditory hallucinations reach such a severe level, yet she doesn't seek treatment.
Can she really recover just by being with children? I'm also worried that she might suddenly have a seizure in front of those kids... Another example is the character "斜杠" (Slant), who appears out of nowhere and dies mysteriously.
It's as if they were just there to advance the plot of the illegal racing case...
Fast-paced drama with a strong female lead, each woman has her own shining moments. The entire cast is wicked, and the last few episodes made me cry.
Man Jie, who always distinguishes between issues and individuals, has a journalistic bottom line.
She made mistakes in her decisions, but she remains the queen of news.
Jia Yan's story is a disillusionment for idealists. She upholds justice but cannot be protected, and eventually takes a path to the opposite extreme.
The poetic atmosphere is exquisite. From a sexy beauty to the classy GWY, Xiaowei, who lived for others and was initially weak, finally finds her own direction.
I'm grateful to this drama for portraying so many non-traditional female characters. Loved it!
It's been a long time since I've seen such a satisfying female-led drama. The mainland entertainment industry should learn what it truly means to have a strong female lead. It's not just about a group of men being attracted to the female lead's saintly aura and revolving around her.
The plot is tightly paced, and She Shi Man's acting and dialogue delivery are outstanding. When she reports the news, it feels like watching the "6:30 News Bulletin" on Jade Channel. Even the romantic storyline didn't annoy me or overshadow the main plot.
She stole the spotlight. I hope the future storyline continues to follow this dominant queen route. The finale was truly surprising.
It started off well, but it went downhill in the middle, especially when Xiaowei went crazy and Cathy had a big belly. However, it managed to wrap up nicely in the end.
The last case was quite impressive, but seriously, five women sharing one bottle of water?
It reminded me of last year's "Beauty Battlefield" with four women standing there awkwardly.
Most of the big shots in the political and business world portrayed in the drama are men, and they react well to certain issues.
It's good to see Cathy getting into politics (though it's not just about using her looks to climb up anymore). But it still feels like the higher-ups are mostly men, relying on connections and abilities.
Everyone Is a Villain" has its merits, but it falls short in the end. The plot and the schemes feel a bit foolish. However, it's primarily meant for entertainment purposes. If you're looking for something intellectually stimulating, TVB might not be the best choice...
Four stars: The explosive acting of Shan Cong, the improved acting of the second generation, Ma Ming (no explanation needed), and Li Shi Hua with her natural filter.
I really don't like She Shi Man's performance... and I dislike the characterization of Man Jie as well...
I have a strong aversion to Liu Yan's character, who is self-righteous, pretentious, and thoroughly irritating.
It's been a while since I watched TVB dramas. Perhaps it's due to the rising feminist discourse and the increasing social status of women. They are breaking away from the entertainment industry's trend of sensationalism and love-centric narratives, and instead, women who focus on their careers are receiving widespread praise from the public.
There are no absolute good or bad people; all decisions are driven by values, just with different labels of choice. News does not equal truth; it's merely a different entry point and perspective. Objectively stating facts without any emotional bias may seem dull, but at least it's a 90% decent drama!
Once felt disappointed, once filled with anticipation, fast-forwarded at times, rewatched at times. Thank you, News Queen, for healing my battered self today. I love this ending, especially the clever little design of the opening quote.
I can see the sincerity of the creators throughout. Idealism, balance, truth, and genuine emotions—these can never be fully achieved, but as long as we try not to betray our own hearts and persist in a certain direction, we won't go wrong.
My life as a drama viewer, enduring at times, going crazy at times, staying hungry at times, staying stupid at times.
Just finished watching 231208. The drama provides plenty of dramatic conflicts, but many plot points would be hard to justify in reality. Anchors fighting each other, constantly changing the rounds during the broadcast—aren't they afraid of news accidents?
Reporters rushing into fire scenes, taking the parties involved to scenes of violence. Hong Kong's media, for the sake of visuals, not only disregards ethics but even their own lives. I watched six episodes in a row.
Despite some flaws, the drama delivers enough dramatic conflicts that can make us overlook some bugs.
The most delightful aspect of "News Queen" is that it's not solely focused on power struggles or the culture of factions. That was just a gimmick in the beginning.
Ultimately, it wants to convey the message: no matter how much you fight, you are still yourself. Stay true to yourself, always. Just like the characters in the drama, if they're unhappy working in the news industry, they can find another path or continue to persevere.
If they're unhappy in a relationship, they can choose to break up or choose to keep going. Everyone should live for themselves.
Oh my, it's so touching! It didn't have the disappointing ending that people were talking about on Weibo, so I persisted and finished watching it. This is probably one of the best Hong Kong dramas in the past decade.
Ma Ming's live broadcast in the final episode made my tear ducts, which are usually dry, shed tears again. The setting of the five anchors taking turns drinking a bottle of mineral water is also commendable. And the appearance of Bosco at the end gave me a feeling similar to that of Yan Chengxu back in the day.
I don't understand Jia Yan's transformation into a villain. The characters are too extreme, but overall it's decent. The pacing is fast, and the character development is quite good. Idealism in journalism is not always just about ideals.
It can be compromised and magnified in the real world, and the existence of journalists is to report the truth. Idealism in journalism is actually the internal balance. PS: Not everything said is from Lu Xun.
We should learn to verify things ourselves!
Finished watching it, rated it 3.5. It didn't have a terrible ending, but it followed the typical pattern of starting strong and then declining, just like most TV dramas. Tan Sheng's acting wasn't bad this time, at least better than Ma Ming's performance.
There was too much palace intrigue, and Zhang Jia Yan wasn't ruthless enough. Xu Xiao Wei's character and emotional storyline were a bit weak. In the end, Bosco appeared and tried to evoke nostalgia once again.
One star deducted for the disappointing ending with a shaky plot development. I don't know if the initial premise was set too high or what, but the later storyline couldn't keep up.
The characters would have sudden 180-degree personality changes, turning evil one moment and then reconciling and laughing off their grudges the next. Did the scriptwriter write the final few episodes while heavily intoxicated?
First time watching a modern Hong Kong drama and it feels so realistic. For example, the female lead would go on a date with her subordinate without any over-the-top scenes like throwing coffee or slapping.
It portrays a very realistic image of a strong female protagonist who may not be a saint and even has a bit of a bad side, but still manages to be likable and admirable.
After "Operation Red Sea" and "The White Storm," here comes another beloved Hong Kong film, and it's the first non-crime film. Both She Shi Man and Ma Ming are quite likable.
The only drawback is the excessive focus on romance and Xu Xiao Wei's acting skills. Fortunately, the ending is decent, with a crisis resolved and a semi-happy reunion.
I spent 500 words on a promising beginning, only to find a ghostwriter who charged me 5 words per chapter and didn't bother with any editing. When it was finally finished, the editor glanced at the last two chapters and demanded a forced happy ending.
Call me inexperienced in drama-watching, but I've never seen such an outrageous departure from reality.